Oval Office Thunderdome: SOOOOPAAAHHHHHHH TOOOOOSSSDAAAAYYYYYYYYYYYY!!!!!

It’s here! The biggest day of the primary season (only to be superseded, possibly, by a chaotic GOP convention in July — I may have to visit the old family in Ohio for that one).

Each party has 11 states up for grabs tonight, with a big chunk of delegates to boot. There won’t be much in the way of surprises tonight, but I’m going to live blog it anyway, because it gives me an excuse to watch Republican pundits go through the five stages of grief on live television. Continue readingOval Office Thunderdome: SOOOOPAAAHHHHHHH TOOOOOSSSDAAAAYYYYYYYYYYYY!!!!!”

Cocksuckers Ball: Elections Have Consequences

Associate Justice of the Supreme Court of the United States Antonin Scalia is dead. When the San Antonio Express-News broke the story of Scalia’s death this past Saturday, it was met with a certain amount of macabre glee only by those on the left who could afford to be seen celebrating. That is, those whose greatest contributions to the debate are tweets or comments on reddit. Most policymakers and pundits praised Scalia’s intellect and keen legal mind, while expressing sympathy for his family. It was an appropriate and typical set of reactions from the politicians who represent liberal America. Continue readingCocksuckers Ball: Elections Have Consequences”

October Horrorshow: Halloween H20: 20 Years Later

Halloween H20 movie posterWhat a clumsy title. H20. Does it relate to water? Not at all. That’s a zero on the end, not the letter ‘O’. H20, then, is the shortened version of what this movie should have been called — Halloween: 20 Years Later — only shoved right in the middle of the title. Beware films that can’t even get their titles right. As it turns out, though, this flick is redemption for a franchise that had been foundering for the entire 1980s and ’90s.

Halloween III is the stepchild no one talks about, while Halloweens 4 through 6 are little better than straight to video cash grabs, relying on brand strength over competence. The plot threads in 4-6 were so tangled and messy that for this film, all that nonsense was retconned. No more Jamie Lloyd, no more Undertaker impersonator, no more missing baby. The series went back to the core elements that made it such a success in the first two films — Michael Myers and Jamie Lee Curtis.

Once upon a time, horror flicks couldn’t get enough Jamie Lee Curtis. She starred in five horror flicks from 1978 through 1981. Her piercing scream became instantly recognizable to horror fans. In fact, her first line in this film is a vintage scream, as her character, Laurie Strode, awakes from a nightmare. Continue readingOctober Horrorshow: Halloween H20: 20 Years Later”

October Horrorshow: We Are Still Here

We Are Still HereI love a good anonymous horror flick. How anonymous is We Are Still Here, the movie from writer/director Ted Geoghegan? The plot summary on Wikipedia currently sits at 152 words as I write this. That’s it. In this day and age, a film really has to fly under the radar to get such a sparse entry on a site whose editors can be quite verbose.

We Are Still Here takes place in snow-covered New England in the year 1979. Husband and wife Paul and Anne Sacchetti (Andrew Sensenig and Barbara Crampton) have relocated from the city following the death of their college-aged son in a car accident. They have chosen to move into a century-old house on the outskirts of Aylesbury, one of those insular New England towns that populate fiction. It’s full of people who have known each other since birth, and is very mistrusting of outsiders.

Like all small towns in a horror film, this one has a dark secret. Long ago, the house the Sacchettis purchased was home to the Dagmar family, who were accused by the townsfolk of selling human bodies to medical schools and Chinese restaurants in Boston. After facing some small town retribution, a curse was placed on the house and any poor souls who occupy it. Continue readingOctober Horrorshow: We Are Still Here”

October Horrorshow: The Relic

I love a good monster flick. Hell, I love a mediocre monster flick. Which is good for The Relic, because, while it’s a passable diversion, it’s not the second coming of Alien.

From way back in 1997, The Relic, from director Peter Hyams, features one of the more complicated beasties I’ve encountered in my decades of watching horror flicks. Continue readingOctober Horrorshow: The Relic”

October Horrorshow: Trick ‘r Treat, or, Charlie Brown’s an Asshole!

Despite its association with horror, few horror movies are Halloween themed. This might be a good thing, or it might be a missed opportunity. I don’t know. What I do know is that in seven years of doing the Horrorshow, comprising over 150 reviews, only the six movies from the Halloween franchise that I’ve reviewed so far have taken place during the annual celebration of all things morbid. So, today’s film is a nice change of pace, and an acknowledgment of a time of year that so many of us enjoy. Continue readingOctober Horrorshow: Trick ‘r Treat, or, Charlie Brown’s an Asshole!”

October Horrorshow: Poltergeist (2015)

I remember being a child in the 1980s, and movies from the 1950s looked old. The people in them wore weird clothes, had strange haircuts, and drove ridiculous-looking cars. Everything was in black and white, too, making me think, probably up until I was in kindergarten, that the world used to be black and white, and sometime during my parents’ childhoods, all of a sudden it snapped into color. I vaguely remember asking them about that. Oh, the conclusions a child’s mind will come to absent any other information. Continue readingOctober Horrorshow: Poltergeist (2015)”

October Horrorshow: Shivers

Shivers movie posterHas David Cronenberg ever made a movie that wasn’t about sex? On some level, probably not. There’s also nothing wrong with that, despite the prudish direction the moral majority has taken the United States in the last 35 years or so. Good thing for us that Cronenberg is a Canadian, right?

Shivers, from 1975, is Cronenberg’s first feature film, and it is all about sex. It’s not a fetish exploration like his later film, Crash, but sex is a central theme. In Shivers, a well-meaning but certifiably insane doctor named Hobbes (Fred Doederlein) has infected a resident of a new residential tower in Montreal with a parasite. The mad doctor told his financial backers and research partners that he was developing a new method to regrow organs, when in fact his true purpose was to return man to an animalistic state, a state where life would be one endless orgy. But, he screwed up, and the film opens with him trying to destroy the teenager whom he infected with the parasite. In the opening scenes, we see the doctor kill the girl and then himself, in a brutal but well done little introduction to the film that juxtaposes the modern living aspects of the apartment building with the brutal horror hidden within its walls. Even in his first film, Cronenberg starts off by showing he understands pace and storytelling. Continue readingOctober Horrorshow: Shivers”

October Horrorshow: Resident Evil (HD Remaster)

I have a confession to make. I love horror flicks. But, if I have never seen a horror flick before, there’s a good chance that when I do watch it I’ll be spending quite a bit of time looking away from the screen. The tension in so many horror flicks is just too much for me, and as the protagonist creeps up a darkened stairway or approaches a slightly ajar closet door, I can’t handle it. I’ve obscured my view through my fingers, pulled my glasses down the bridge of my nose, even watched the reflection of the screen off of the glass of my desk — anything to prevent a direct line of sight to the coming terror. It’s sad and pathetic, really. But such is my ability to suspend disbelief and lose myself in some horror flicks, that genuine fright oftentimes keeps me from watching. I can’t imagine experiencing the genre in any other way. Continue readingOctober Horrorshow: Resident Evil (HD Remaster)”