The October Horrorshow Giant Monstershow continues on with a classic from 1958. How classic is director Irvin Yeaworth’s The Blob? In the print I saw, the film was preceded by the logos of both The Criterion Collection and Janus Films. That’s quite the seal of approval for film buffs. Continue reading “Giant Monstershow: The Blob”
The October Horrorshow Giant Monstershow carries on! Today’s film is the sixth this month featuring b-cinema auteur extraordinaire Bert I. Gordon. The man made giant monster flicks his own cottage industry. That’s not too far off of the mark, considering Gordon would shoot effects in his own garage.
Today’s film is Earth vs. The Spider, also released as just The Spider. Released just a few months after War of the Colossal Beast, Earth vs. The Spider switches up the formula for giant monster flicks. Most of the films featured this past month have featured scientists and doctors as the main protagonists, or maybe a military man or two. This film does have those characters, but they’ve been relegated to supporting roles. In this flick, the heroes are teenagers. That’s right. By 1958, shitty filmmakers recognized that it was teenagers that were pumping large amounts of dollars into their coffers, and someone came up with the bright idea to make movies featuring teenagers in the leads. Continue reading “Giant Monstershow: Earth vs. the Spider, aka The Spider”
This is the fifth review this Horrorshow featuring a film from giant monster auteur Bert I. Gordon. It’s only fitting, then, that Missile Test makes it official. Bert I. Gordon, I declare thee the unofficial official filmmaker of this year’s October Horrorshow. Keep an eye out for a certificate in the mail.
War of the Colossal Beast, released in June of 1958, is the sequel to Gordon’s The Amazing Colossal Man. Gordon not only directed this film, he produced and shared a screenwriting credit with George Worthing Yates (who penned an amazing six b-movies in 1958 alone). Continue reading “Giant Monstershow: War of the Colossal Beast”
The last we saw the Baron Frankenstein, at the end of The Curse of Frankenstein, he was being led to the guillotine. Believing that he was innocent of any crime, he was meeting death with hate in his heart. But as fate, and economics, would have it, Frankenstein was saved at the last moment by Hammer Film Productions, who knew a hit when they saw one. Continue reading “October Hammershow: The Revenge of Frankenstein”
It has been over a hundred and twenty years since Bram Stoker’s groundbreaking vampire novel was published. In that time, the titular character of Dracula has been put to film dozens of times. Every generation gets its own version of the tale. There’s just something about Dracula. The genre of horror itself is drawn to the character like one of his hapless victims. One can be sure that no matter what kind of just fate befalls Dracula in these films, it is only a matter of time before he returns. Continue reading “October Hammershow: Dracula (1958), aka Horror of Dracula”