Woe be to the viewer when a film series becomes tired. At first there was innovation, followed by repetition. Afterwards comes mediocrity, before, finally, the series descends into total and utter garbage. Such is the case with the last film in this year’s Horrorshow, Halloween: The Curse of Michael Myers. From the opening scene through denouement, the sixth entry in the Halloween franchise is a tedious affair. So tedious, in fact, that I was worried I wouldn’t be able to pay enough attention to this movie to write about it. It was a close call. More than once while I was watching a text message would come in or I would want to look up a member of the cast or crew on the internet, and any deviation in my focus threatened to derail my comprehension of on screen events. How could I possibly write a review of this dog if I couldn’t remember what I just saw? I’ve stopped watching films after fifteen or twenty minutes and still written reviews, but the difference between those films and this one is that, although I only spent a short time with those films, I was able to keep my focus. Halloween 6 was a struggle from beginning to end. Continue reading “October Horrorshow: Halloween: The Curse of Michael Myers”
I can get the heart of this review out of the way quickly. Wake in Fright is the best movie I have seen in at least the last couple of years. Directed by Ted Kotcheff and written by Evan Jones, Wake in Fright has an interesting history. From 1971, it was close to being a lost film for a long time, with the only known copy in existence of such poor quality that it was unfit for transfer to home media. Twenty years ago, Anthony Buckley, who edited the original film, began to search for an intact copy. After much effort, he succeeded. A restoration was finally undertaken in 2009, and the film was released to the general public once again. Continue reading “The Empty Balcony: Wake in Fright”
What a putrid mess. Halloween 5 is a shameless cash grab. (The full title is Halloween 5: The Revenge of Michael Myers, but that full title seems only to exist on posters and other promotional material. The title card of the actual movie has no subtitle.) Halloween 4 was a cheap b-movie that sought to bring a recognizable brand to heel after the failure that was Halloween III. And it worked. Audiences didn’t like the fact that Michael Myers wasn’t the villain in the third flick, and producer Moustapha Akkad took notice. He brought back the slasher icon for the fourth installment, and saw a tidy return on investment, so it was inevitable that there would be a fifth. Of course, since abject cheapness didn’t hurt the bottom line with Halloween 4, there was no incentive to produce a quality product with Halloween 5.
Continue reading “October Horrorshow: Halloween 5″
I’ve seen hundreds of horror films. And I’ve seen more Dracula films than I can either count or name. But until recently, I had no idea that this version of the oft-filmed tale existed. This Dracula is so lost to the digital history of cinema that when I searched for it on IMDb, I had trouble locating its page. I have a hard time understanding why. Continue reading “October Horrorshow: Dracula (1979)”
Halloween III was a big bust. A successful horror franchise ditched its most marketable characters because series creators John Carpenter and Debra Hill were tired of the idea. I suppose it was a laudable decision from a creative standpoint, but if you’re going to ditch Michael Myers and Laurie Strode, perhaps the greatest on screen villain/scream queen pairing in Hollywood history, it’s probably a bad idea to name your new film like it’s a sequel. Carpenter and Hill learned the hard way that the Halloween brand was in its characters, not its name. Halloween III is not a bad movie. It’s just not a Halloween film. Continue reading “October Horrorshow: Halloween 4: The Return of Michael Myers”
A slasher flick starring Jack Palance and Martin Landau as murderous psychopaths? It would have been impossible for me not to seek this mother out, especially for an October Horrowshow viewing. Expectations were low. After all, despite the star power, this is an obscure movie, never a good sign. It’s a pretty simple formula. If a movie has stars, and you’ve never heard of it, there’s a chance it stinks. A great example of this idea is Robert Altman’s Quintet. That one had Paul Newman and Fernando Rey, two actors with gigantic reputations in a film helmed by one of Hollywood’s great directorial talents, and it was dreadful. Palance and Landau are no slouches, each having won Oscars for films after their roles in Alone in the Dark, but this film, like Quintet, was tough to watch. Continue reading “October Horrorshow: Alone in the Dark (1982)”