Today’s shitty film is a rare one. As of this writing, it doesn’t have a Wikipedia page, despite there being two well-known actors in it. One of those actors, Eric Roberts, doesn’t even have the film listed in his filmography page on Wikipedia. Not even as a red link. That’s some impressive obscurity in the age of the internet.
From 2016, Bunker: Project 12 was released straight-to-video under the title Project 12: The Bunker. In fact, should one watch this movie, that is the title that shows in the opening credits. Where the slightly adjusted new title comes from is anyone’s guess. Continue reading “Shitty Movie Sundays: Bunker: Project 12″
Despite being a big star, Sylvester Stallone has always seemed to struggle with relevancy. The 2000s had a pair of ‘comeback’ films for Sly, with Rocky Balboa in 2006 and Rambo in 2008. It seemed like every success he had was forgotten. Perhaps that’s because these two films felt like a coda to beloved characters from decades past, whereas The Expendables, from 2010, was new-ish. Or maybe having a comeback film is just part of Sly’s brand in the 21st century. Either way, The Expendables is the throwback to 1980s action that no one knew we needed until it showed up in theaters and made money. Continue reading “Stallone Month: The Expendables”
When one thinks of Sylvester Stallone, the first things that come to mind might be Rocky and Rambo. Boxing and explosions. The underdog and the vengeful. There was very much a narrow lane where Sly felt comfortable both as an actor and as a filmmaker. The Specialist, from 1994, at first feels like it fits neatly into the narrative of Sly’s career. In it, he plays an ex-CIA explosives expert turned hitman. That short description brings to mind visions of fiery explosions, gunfights, and maybe even a final fight with a main bad guy. In other words, there is little reason to suspect this film is anything other than an action flick. But it’s not. It’s modern noir, something Sly hadn’t been part of in his career since, maybe, Nighthawks.Continue reading “Stallone Month: The Specialist”
1985’s Runaway Train is a very unique film. It’s American made, filmed in the white wastes of Alaska, but in a blind taste test, cinephiles would swear it was a Russian film. The film stock, the cinematography, set designs, costumes, etc., all scream that the film was made on the other side of the Iron Curtain. That’s not by design, but a result of the film being helmed by Andrei Konchalovsky, who, until the 1980s, was a Soviet filmmaker. Continue reading “The Empty Balcony: Runaway Train”