Tag: Gory Flick

Attack of the Franchise Sequels: Leprechaun 4: In Space

This is the shameless, absurd piece of shit movie that I have been waiting for this series to produce. With Leprechaun 4: In Space, the filmmakers finally said, “fuck it,” and jettisoned everything that hindered this substandard horror franchise. By that, I mean Earth. The first three flicks were somewhat tongue-in-cheek, but they never lived up, or down, to their potential. This film is the turning point.

Like its predecessor, Leprechaun 4 went straight to video. That was a wise decision. The opening shot — in SPACE! — has some of the worst CGI a viewer is likely to see anywhere, and it sets the tone for the rest of the film. Realism was not within the grasp of the budget, and the result would not have been acceptable for a theatrical release. That also means director Brian Trenchard-Smith was freed from the shackles of even middling expectations. Continue reading “Attack of the Franchise Sequels: Leprechaun 4: In Space”

Attack of the Franchise Sequels: Leprechaun 3

Most horror franchises have a seminal first film, one that grabs the attention of horror fans, and then the franchise limps its way to irrelevancy. Sequels descend in quality to the point the filmmakers are clearly in it for the cash and nothing else. The Leprechaun franchise is different from, say, the Halloween franchise or the Nightmare on Elm Street franchise, because it has been shit from day one. The first flick was bad, the second flick was worse, and Leprechaun 3 feels like a last gasp before everyone went home and pretended none of this ever happened. Continue reading “Attack of the Franchise Sequels: Leprechaun 3″

October Horrorshow: The Night Eats the World, aka La nuit a dévoré le monde

Ah, zombie flicks. So many possibilities, and so many variations. The basics are always there, with tweaks as required by the storytellers. It’s a subgenre of horror that’s so versatile that filmmakers have to truly work hard to make something that’s unwatchable. No worries, there, with 2018’s The Night Eats the World. This is a fine entry into the oeuvre of the undead.

Adapting a novel by Pit Agarmen, The Night Eats the World comes to us from screenwriters Jérémie Guez, Guillaume Lemans, and Dominique Rocher, with Rocher directing. From that list of names, one can guess that this film hails from France. It does, but it was filmed in English. Continue reading “October Horrorshow: The Night Eats the World, aka La nuit a dévoré le monde”

October Horrorshow: Leprechaun

There are some bad horror franchises out there. Some are intentionally bad (I’m looking at you, Sharknado). Some, like Amityville, are victim to the fact that trademarking the name of a town is tricky, so anyone with a camera and fifty bucks can make an entry. Some, like the Leprechaun franchise, were sprung from a substandard horror flick that somehow made enough money to justify sequels.

From way back in 1993, Leprechaun was sprung from the mind of writer/director Mark Jones, and follows the tale of a murderous leprechaun (Warwick Davis) who is on the trail of his stolen gold. Continue reading “October Horrorshow: Leprechaun”

Attack of the Franchise Sequels: Seed of Chucky

What a stupid movie. When I wasn’t loving it, I was hating it, but never so much that I ever stopped enjoying myself. Even when the spirit-possessed Chucky doll (Brad Dourif, as ever) runs Britney Spears (Nadia Dina Ariqat) off of the road and her car explodes in a pique pop culture moment, there was but the briefest moment of doubt before buying into this ridiculous flick once more. This isn’t a good movie, but writer/director, and series creator, Don Mancini, along with producer David Kirschner, were right to go all-in on absurdity. Continue reading “Attack of the Franchise Sequels: Seed of Chucky”

October Horrorshow: The Similars, aka Los Parecidos

It was a dark and stormy night in early October, 1968. Like, really stormy. So stormy that, according to radio broadcasts, the entirety of North America, and possibly the world, was enveloped in cloud and heavy rain. At a bus station a few hours drive from Mexico City, a man, Ulises (Gustavo Sánchez Parra), is frantic as he awaits the delayed bus into the city. He’s anxious because his wife has gone into a difficult labor, and he wants to be by her side. But, the rain has made travel impossible.

Ulises harangues the station agent, Martin (Fernando Becerril), who is set to retire and is uninterested in any of Ulises’s nonsense. Ulises calls the hospital in Mexico City, and the garbled call he has with his father-in-law does nothing to allay his fears. Continue reading “October Horrorshow: The Similars, aka Los Parecidos”

Attack of the Franchise Sequels: Bride of Chucky

By the time Bride of Chucky was released, in 1998, it had been seven years since the last entry in the Child’s Play franchise. That movie, Child’s Play 3, had made a profit, and it was a better film than the first sequel, but it was clear that things were beginning to slip. Franchise fatigue was setting in. Series creator Don Mancini and producer David Kirschner must have recognized this. Their series was a contemporary of franchise slasher giants Friday the 13th, Halloween, and A Nightmare on Elm Street. Surely Mancini and Kirschner saw the depths these franchises sank to in search of a cheap buck, and perhaps they decided that wasn’t for them. Whatever the thinking behind the fourth film in the Child’s Play franchise, Mancini and Kirschner did a brave thing when they decided to pivot and embrace the black comedic elements of the possessed killer doll Chucky, and make a film unlike the previous films. Continue reading “Attack of the Franchise Sequels: Bride of Chucky”

October Horrorshow: Tammy and the T-Rex

Pop quiz, hotshot. You have access to an animatronic dinosaur for three weeks, and a million bucks burning a hole in your pocket. What do you do?!

If you’re Etka Sarlui, you call up b-movie auteur Stewart Raffill and ask him if he would like to make a movie. And if you are Stewart Raffill, you then say ‘yes,’ because one should never turn down work. A week later, Raffill, along with Gary Brockette, have a screenplay, and two weeks after that, Tammy and the T-Rex is in the can, the dinosaur is off to a theme park in Texas, amazingly undamaged, and the world has its next insane shitty movie. Continue reading “October Horrorshow: Tammy and the T-Rex”

Attack of the Franchise Sequels: Child’s Play 3

Chucky is at it again! Despite making sure that Chucky was mutilated beyond all recognition at the end of the previous film, Don Mancini found a way to bring his baby back to life for another payday.

Released just ten months after the previous entry, in 1991, Child’s Play 3 picks up eight years after the events of Child’s Play 2. Only in fictional worlds is that kind of timeline possible.

Once more, young Andy Barclay is the protagonist. But, since Alex Vincent was selfishly incapable of aging eight years in time for filming, his part went to Justin Whalin, whom viewers might remember from his regular role on Lois & Clark. Brad Dourif returned to voice Chucky, Don Mancini returned to write the screenplay, while directing duties were handled by Jack Bender. This was his first feature film, but by 1991 he had been directing in television for the past decade. Continue reading “Attack of the Franchise Sequels: Child’s Play 3″

October Horrorshow: Bornless Ones

“Today is the day you pay for your consequences.”

That is the line from Bornless Ones, the magnum opus from writer/director Alexander Babaev, that I think about whenever I’m about to give this flick too much praise. It’s not as if mangled idioms aren’t commonplace in film, but it’s a useful reminder that this flick ain’t The Exorcist.

From 2016, Bornless Ones is a neat take on the cabin in the woods subgenre of horror. It’s not great, though. At times it’s not even that good. It’s one of those films that improves on a well-worn idea, but finds itself weighed down by some bad dialogue and weak reads. The second half is awash in blood and gore, so it has that going for it. Continue reading “October Horrorshow: Bornless Ones”