October Horrorshow: House at the End of the Street

House at the End of the StreetThe older I get, the less patience I have for teen movies. I’m turning crotchety. Know what? I prefer the curmudgeonly proprietor of Missile Test to the angsty teen who, once upon a time, would have liked this movie. I welcome the growing gulf between teenagers and myself. But what a conflict this presents. I love horror flicks, and the horror and teen genres exist in a symbiotic relationship that has paid dividends throughout the length and breadth of cinematic history. What to do when I cross paths with a movie like House at the End of the Street, a psychological horror flick that is decidedly youth-oriented. I put on my objective cap and judge the film on its merits, that’s what.

In this film, Jennifer Lawrence and her mom (Elisabeth Shue) move into a house in the swanky part of some town, somewhere (it’s Canada). A few years before, the house next door was the scene of a grisly murder, where a psychotic girl butchered her parents. Welcome to the neighborhood, Jennifer and Jennifer’s mom. Continue reading “October Horrorshow: House at the End of the Street”

The Empty Balcony: American Hustle

Five minutes into American Hustle, I realized I probably was not going to like the film. I stuck around for the next two hours, but the film never grabbed me. It has been praised by critics, but I consider myself kin to the many other viewers who left the film feeling apathetic. Us emotionless millions, unmoved by a film with such heavyweights, such ACTING — we are legion. Continue reading “The Empty Balcony: American Hustle”