Stallone Month: Rocky V

If Rocky IV is peak Rocky, then Rocky V is the story’s nadir. Whereas Rocky II was but pale imitation of the first film, Rocky V is caricature, its characters in many ways reduced to cartoon versions of those with which we have grown familiar. Mostly this is down to Sylvester Stallone. He was the one who ditched Rocky’s lovable lunkhead persona in the previous two films. But now he’s back, and poor. Continue readingStallone Month: Rocky V”

Stallone Month: Lock Up

Lock Up is a strange lesson in how Hollywood movies are made…[W]e have a star, a theme, a shooting date, a budget, a studio, but…no script.” — John Flynn, director of Lock Up

I don’t know how often films are made on the fly, but in putting together Stallone Month, it seems that it was common for projects Sly worked on to barely make it to completion. Another commonality in these films is that Sly worked very hard to keep the projects together. Whether it’s Eye See You (later this month), or Tango & Cash (tomorrow), or today’s film, the people who worked with Sly are effusive in praising him for the efforts he made to make sure a movie came off. Still, production troubles rarely bode well for a film. Continue readingStallone Month: Lock Up”