I can’t recall seeing a film that had as many moments when I said to myself, “Oh, look. It’s that guy.” The Belko Experiment is chock full of that guys, and they all feature prominently. There’s that guy from Ghost, (Hollywood aristocrat Tony Goldwyn), that guy from Scrubs (John C. McGinley), that guy from The Killing (Brent Sexton), that guy from The Walking Dead (Michael Rooker), that guy from ER (Abraham Benrubi), budding that guy from The Newsroom (John Gallagher, Jr.), and plenty of other that guys and gals that have been featured in Hollywood films for a generation. Why has such an ensemble been assembled? To kill each other in bloody fashion. Continue reading “October Horrorshow: The Belko Experiment, or, That Guy Battle Royale”
Monroe Hutchens (Wesley Snipes) is a hell of a boxer. In fact, he has never lost a fight. The big problem for Hutchens, though, is that all the boxing he’s done for the past ten years has been care of the California Department of Corrections. Once the California state champ for his weight class, Hutchens was poised to enter into a lucrative professional boxing career when he came home to find his woman in bed with another man. Hutchens beat the paramour to death and was sentenced to life without parole for the murder. While in prison, he continues to ply his trade, doing his time and beating up on the boxing champions from other prisons around the state. Continue reading “Empty Balcony: Undisputed”
I think I may have seen too many movies. That’s the only reason I can think of to explain why I did not like Guardians of the Galaxy, Marvel Studios’ 2014 money machine. It hit all the right notes when it comes to action, pacing, and story. It kept things simple, avoiding all pretension, and at no point did it strive to be something greater than it was. But...
I think the movie showed a profound disrespect for its audience. Big action movies aren’t just simple anymore. Rather, they have been simplified, stripped of any sort of nuance or individuality in the pursuit of massive box office receipts. There is nothing inherently wrong in trying to maximize profit. But what it does mean is that, in seeing a movie like this, no viewer can expect anything beyond superficial uniqueness. There are new stories out there. But new stories require an entrepreneurial spirit that Hollywood is currently anathema to. It’s hard to explain how much the studio system has changed in a generation, so I’ll just give this example: Taxi Driver was a Hollywood studio film. That’s right. Taxi Driver. A film featuring a violent psychopath, who develops a crush on an underage hooker, as a protagonist. These days, the talents of that film’s young director, Martin Scorcese, would be steered into projects that are designed from the very beginning to be sanitized versions of past successes. Continue reading “The Empty Balcony: Guardians of the Galaxy”
Time is not treating The 6th Day well. Released late in 2000, the movie opens with an XFL game. The XFL, for members of the Loyal Seven who do not remember, was a winter/spring professional football league founded by the WWE’s Vince McMahon, which began play in real life a couple months after this movie’s release. The league managed to limp through one season of play, but that was it. Hardly anyone was watching. Its appearance in this film was an inspired, and probably expensive, bit of product placement, but seeing it did nothing to make me think I was about to watch a good movie. Continue reading “Schwarzenegger Month: The 6th Day”