This isn’t W. Lee Wilder’s first film in this year’s Horrorshow, but I am getting sick of him in a way I never did with Bert I. Gordon during last year’s Horrorshow. Wilder’s films are no less tedious than Gordon’s, but unlike Gordon, Wilder showed no progress as a filmmaker. His films, in fact, seemed to grow more resistant to artistic growth with every one he made, and he still had eight more feature films to go before he called it quits.
The Snow Creature is an abominable snowman flick from 1954. Paul Langton plays botanist Dr. Frank Parrish, and Leslie Denison plays photographer and adventurer Peter Wells. The two of them lead a small expedition to the Himalayas to gather and study unknown plant species. With them are a Sherpa guide, Subra (Teru Shimada), and a group of porters.
One may notice that ‘Teru Shimada’ is not a Nepalese or Chinese name. It’s Japanese. In fact, all the Sherpas in this film were played by Japanese actors. They even speak their lines in Japanese. I wouldn’t categorize this as shitty filmmaking, but it’s definitely cheap, and perhaps lazy. I don’t imagine there were a whole lot of Sherpas available for a Hollywood casting call in the 1950s, but there has to be a better solution than just subbing one group of Asians for another and not caring if anyone notices. Continue reading “It Came from the ’50s: The Snow Creature”
There’s something that must be gotten out of the way before getting to the review proper. This film features an early scene with an Air Force jet flying around. Its call sign is “Tar Baby 2.” Yep. Tar baby is one of those terms that the people who use it insist is not racist. But, come on. It’s a very evocative term. I bet it was evocative in 1954, when this film was released, as well. Whatever the context and whatever the time, hearing it will make a modern viewer’s head turn, and is yet another surprise look into grandpa’s casual bigotry that these old flicks provide. Anyway…
Killers from Space is producer/director W. Lee Wilder’s follow-up to the terrible Phantom from Space. At least this flick doesn’t have the FCC driving around trying to save humanity. In this flick, that responsibility falls to Peter Graves, as Dr. Douglas Martin. He’s on the aforementioned racism jet as it circles a nuclear test in Nevada. All of a sudden, the plane crashes. Martin is given up for dead, but later he comes stumbling into town in a tattered flight suit. Continue reading “It Came from the ’50s: Killers from Space”
It is possible to make a decent movie with a miniscule budget. But it takes, at least, a decent filmmaker to do so. W. Lee Wilder, unlike his brother, Billy, was no decent filmmaker. W. Lee Wilder, if Phantom from Space is any indication, was a corpse propped up in a chair.
Released in the spring of 1953, Phantom from Space looks super cheap. There are special effects in the opening scene showing a UFO descend upon the San Fernando Valley. It’s about the least convincing effect I’ve ever seen in a movie, and this reviewer has seen a lot of bad special effects. The effects in this flick are as bad as early Bert I. Gordon flicks. The only effect that really works is a floating space helmet, but that’s getting slightly ahead of things. There is a plot that needs explaining. Continue reading “It Came from the ’50s: Phantom from Space”