...And then there was Psycho III. Part of the appeal of the first two films in the franchise was that there was a fair amount of ambiguity to events. There were murders, but it wasn’t at all clear until the end who had been committing them (of course, a person would have to be living under a rock to not have picked up on Psycho’s twist at some point in their lives). Not so in Psycho III. Norman Bates is doubtlessly the bad guy in this one, so it just remains to be seen how he will get his comeuppance. Continue reading “October Horrorshow: Psycho III”
I like Psycho II better than Psycho.
— Quentin Tarantino
Slow your roll, Quentin.
I’m taking that quote out of context. It is possible to like one film more versus another, while recognizing that film A is not as good as film B. For example, I have a short list in my head of my favorite movies. Star Trek II is on that list. I can watch that film at anytime. I love it because it’s a wonderful sci-fi flick, with lots of action and a comprehensible story. I also love it because if there had never been any other Star Trek film made, if there had never been any of the television series, it could stand on its own with none of the decades-long backstory. But I will never, ever, say that it is a better film than, say, A Prophet, or Jiro Dreams of Sushi, to name two better films I saw this year. Those two films are better, but they will never come close to attaining the same level of appreciation I have for Star Trek II. It just cannot happen. So I understand how Quentin Tarantino, who has a much more thorough understanding of cinematic history than I, could like Psycho II more than Alfred Hitchcock’s original classic. Continue reading “October Horrorshow: Psycho II”
The October Horrorshow continues here at Missile Test. The good, the bad, the unwatchable, it doesn’t matter. If there’s blood, there’s a place for it at the October Horrorshow. Today’s film is from Amicus Productions, a Hammer Films clone that made a number of portmanteau horror films in the 1960s and ’70s. Among these were the first screen adaptions of EC Comics horror staples Tales from the Crypt and Vault of Horror. Asylum, from 1972, follows in the same vein. Continue reading “October Horrorshow: Asylum (1972)”