Stallone Month: Bullet to the Head

If there is one positive from Hurricane Katrina, one not worth the cost yet still a positive, it has been the emergence of a Louisiana style of crime filmmaking — a bayou noir. Filmmakers have been drawn to the state in a show of solidarity with the residents of Louisiana and to take advantage of tax credits. It’s a win-win for the film industry and for local economies. Whether or not it’s a win for audiences rests on whether or not these films are worth watching. Continue readingStallone Month: Bullet to the Head”

Shitty Movie Sundays: Pompeii

What a putrid mess. The trailer for Pompeii, Paul W.S. Anderson’s CGI shit-fest from earlier this year, promised viewers an exploding mountain. It never promised to be a faithful retelling of the eruption of Mount Vesuvius in AD 79 that destroyed the city of the title. But that’s all well and good. Paul W.S. Anderson does not do anything but spectacle. In the trailer, Vesuvius blows up and that’s what I paid to see. What I didn’t pay to see was a low-rent Titanic rip-off that made me wait 66 whole minutes for the good stuff. And that wait is a problem. Pompeii only runs about an hour and a half. That doesn’t leave a lot of time for the disaster portion of this disaster movie. Continue readingShitty Movie Sundays: Pompeii”