Some film historian could write a book about The Last Boy Scout, the outrageous action flick from 1991. It’s a film legendary for its troubled production, with no less than four Hollywood egos clashing while it was made.
There was screenwriter Shane Black, who had been paid almost two million bucks for the script; director Tony Scott, who was in the midst of his peak as a blockbuster filmmaker; star Bruce Willis, who was in need of a hit after Hudson Hawk underperformed and The Bonfire of the Vanities absolutely bombed; and producer Joel Silver, part of whose legend involves massive amounts of cocaine. Silver was such a pain in the neck that when Scott later directed True Romance, he based the character of Lee Donowitz on Silver. Reportedly, Silver was not pleased. Continue reading “Empty Balcony: The Last Boy Scout”
In choosing a film for Shitty Movie Sundays, care must be taken. Too often, before being watched for a Shitty Movie Sundays review, a movie appears to have the all the right ingredients that make for a shitty movie. There’s a veteran of shitty cinema in a lead role, the ideas behind the film are ridiculous, and the trailer is an absolute howler, but then the film turns out to be more mediocre than shitty. A mediocre film is such a disappointment. At least when a movie is bad, and really wallows in it, it can be a captivating watch. But a mediocre film just fades away. It has no significance and leaves no lasting impression. What to do, then? Make an executive decision, that’s what. Timecop, the 1994 film from Peter Hyams, is a forgettable sci-fi/action flick that normally wouldn’t be bad enough for this space, but then there are the cars. Oh, my goodness, the cars. Continue reading “Shitty Movie Sundays: Timecop”