I’ve seen some embarrassing cash grab sequels in my many decades as an avid shitty movie fan, and this one is among the more shameful.
From writer/director Edward Bernds comes Return of the Fly, the sequel to The Fly, released in 1959. The first thing viewers of The Fly will notice is that, unlike its predecessor, Return was not shot in color. I cannot recall another sequel in film history that has gone from color in the original to black and white photography in the sequel. There are a couple examples the other way, notably The Hustler and The Color of Money.Continue reading “It Came from the ’50s: Return of the Fly”
What a gloriously stupid movie. I’ll be honest. Many of the 1950s flicks in this month’s Horrorshow have been a real slog to get through. That’s really something, considering how many of them are only around an hour or so in length. Today’s ’50s flick is a short one, too, clocking in at only 71 minutes. It didn’t have much of a budget, either, so a decent amount of that short running time is spent expositing. But, without any reservations at all, From Hell It Came is an incredible shitty movie. It’s essential viewing for the shitty movie fan. Continue reading “It Came from the ’50s: From Hell It Came”
American International Pictures specialized in crap, but even for AIP, this is a bad one. The Phantom from 10,000 Leagues is among the most tedious, least interesting films I’ve ever seen. It’s a monster flick that has more dialogue than a Merchant Ivory costume drama, and all of it is inane. There’s even a spy angle that does little more than stretch out the running time and subject us to more talking. And the monster? It’s a rubber suit, but it could just as well have been a statue for all the trouble Norma Hanson, who was in the suit, had moving around. Phantom is a direct challenge to a viewer’s attention span. If there is a smartphone within reach, I defy any viewer to watch this flick without picking it up. Continue reading “It Came from the ’50s: The Phantom from 10,000 Leagues”