Once upon a time, the moviegoing public wasn’t assaulted by an endless stream of comic book movies from Marvel and DC. Back in the dark days of 1999, the Batman cinematic franchise was on life support after Joel Schumacher finished with it, and Marvel’s properties had been farmed out to Sony. The only two movies of any significance based on comics that year was Mystery Men, which was a big budget flop, and Virus, which was an even bigger big budget flop. Both of these titles came from Dark Horse Entertainment, and may have a lot to do with the slow pace of further adaptations from the Dark Horse stable, when compared with what Marvel and DC are doing. Continue reading “October Horrorshow: Virus (1999)”
Daylight, the 1996 film from screenwriter Leslie Bohem and director Rob Cohen, should not be this bad of a movie. It’s the perfect vehicle for its star, and does absolutely nothing wrong in following the Irwin Allen disaster movie playbook. It’s swift and action-packed, and there’s enough tension that it should be able to keep a viewer’s attention. But, the characters. My God, the characters. Continue reading “Stallone Month: Daylight”
I was really hoping this movie would have been appropriate for the October Horrorshow. Alas, it was not. Sure, there is some exotic, overly aggressive wildlife to be found, and they do devour a good amount of the cast, but this movie is more a straight action flick than anything else. Too bad. I was looking forward to featuring this review right after Pitch Black. Well, at least it’s shitty!
Riddick, of course, is the second sequel to Pitch Black, featuring the eponymous character played by Vin Diesel. In this flick, Riddick has abandoned the burdens of galactic leadership and returned to his animal nature, a sly acknowledgment by writer/director David Twohy that the second movie in the series, The Chronicles of Riddick, was a stupidly overwrought idea that never should have been put to film. Riddick isn’t a fucking politician. He’s a badass. No one wants to see him speechifying or fending off the knives of palace assassins. The world, this world, needs Riddick to get in gunfights with mercenaries and fight creatures with big pointy teeth. Message received. Continue reading “Shitty Movie Sundays: Riddick”
I’m a sucker for Alien ripoffs. Really, I am. Something about the shared stories (monsters whittling down hapless cast members) strikes something elemental in my brain. The formula for films like Alien seems so fundamentally sound to modern storytelling that I bet, had he been alive in the era of science fiction, the Bard himself would have come up with it. Continue reading “October Horrorshow: Pitch Black”