I love that movies like Alien Warfare are still being made. It’s a true action bottom feeder. With the rise of streaming, I had been concerned that the ready availability of good content would leave shitty movies like this without an audience. But, I shouldn’t have underestimated capitalism. Good movies cost more for streaming services to license, and the proliferation of streaming services means that there’s a good chance the movie one wants to watch is on a service to which they do not subscribe. And on top of that, all these streaming services are desperate for content, to make them stand out from each other. All this means there is still a market for cheap schlock. The rights holders’ overprotectiveness and over-monetization of their good properties means the shitty movie lives on. Continue reading “Shitty Movie Sundays: Alien Warfare”
Tom Selleck at peak mustache, Gene Simmons, THAT Gene Simmons, playing a mad scientist who has an army of killer robots, in a science fiction film written and directed by Michael Crichton? Yes, I will watch that.
From 1984, Runaway is a look into the near future, where robots are a part of everyday life. They cook our food, wash our clothes, construct our buildings, and guard our businesses. But like all machines, they aren’t perfect. That is where the dedicated men and women of the police department’s runaway squad come in. Continue reading “Empty Balcony: Runaway”
A lot of filmmakers in the late 1970s wanted to get some of that sweet, sweet Star Wars money. That resulted in shitty cinema being overrun with Star Wars ripoffs — some much better than others. At the bottom of the scale is something like Cosmos: War of the Planets, while today’s film, The Shape of Things to Come, is about as compelling a ripoff as shitty cinema managed to produce.
From 1979, The Shape of Things to Come is a loose adaptation of the H.G. Wells novel of the same name. It’s the future. After Earth was devasted by The Robot Wars, mankind settled on the moon and elsewhere. A drug called Radic-Q2 is vital to humanity’s continued survival, but the supply comes from a single planet called Delta 3. After a cargo ship from Delta 3 crashes into the capital city on the moon, New Washington, it is revealed that Delta 3, and all Radic-Q2 production, has been seized by the evil Omus (Jack Palance). We know that Omus is evil, not just because he was responsible for slamming a spaceship into a populated city, or that afterwards he holds an entire civilization hostage, but because he wears a cape. Everyone in this movie wears super-shiny futuristic space clothes, but only Omus accessorizes with a cape. It’s purple, too. Continue reading “Shitty Movie Sundays: The Shape of Things to Come”
Should one not wish to be burdened by a sensible, interconnected plot, or by special effects that pass a minimum standard of acceptability, then has Missile Test got the movie for you. Cosmos: War of the Planets, also known by many other names, is one of the shittiest films to grace this site in a litany of shitty films. Continue reading “Shitty Movie Sundays: Cosmos: War of the Planets, or, Shit Trek”
I think it’s about high time to feature a flick from the Roger Corman stable. Chopping Mall, also released as Killbots, from 1986, doesn’t have Roger Corman’s name on it anywhere, but it’s definitely one of his. It was produced by Julie Corman, who has been married to Roger for almost fifty years, and it’s an underfunded piece of shit. Continue reading “October Horrorshow: Chopping Mall, aka Killbots”
Roger Corman was absolutely shameless. There wasn’t an idea he wouldn’t steal, nor a corner he wouldn’t cut to save a buck, in any of the dozens of films in which he had a part. He is hailed as a pioneering and legendary filmmaker. He launched the careers of numerous, better filmmakers and is showered with credit for their talents. And he did all this, and more, while cranking out a relentless stream of awful films. Terrible, unwatchable, dreadful sins against the art of cinema. And sometimes, he managed to make a shitty movie that was worth a damn. Continue reading “Shitty Movie Sundays: Battle Beyond the Stars”
I don’t think I’ve seen this movie since the late 1980s. That’s almost thirty years of depriving myself of big hair, a pack of unstoppable, ravenous fur balls that are more teeth than animal, and Power of the Night, the number one single by Johnny Steele. Oh yeah, this was the decade I grew up in, with all its foibles, bad fashion, and shit music. This was the decade that put Eric Clapton in pastels and convinced teenagers everywhere that synthesizers were an acceptable accouterment to rock music. And my God, Reagan was in the White House. No, no, no. If it weren’t for the amazing run of substandard cinema throughout the decade, I would want to have the entire time wiped clean from my memory. Continue reading “October Horrorshow: Critters, or, Power of the Night!”
Dictionary.com defines MacGuffin as “an object or event in a book or film that serves as the impetus for the plot.” Wikipedia goes further, defining it as “a plot device in the form of some goal, desired object, or other motivator that the protagonist (and sometimes the antagonist) is willing to do and sacrifice almost anything to pursue, often with little or no narrative explanation as to why it is considered so desirable (emphasis added).” Alfred Hitchcock is credited with popularizing the term in the movie industry, employing it himself, even turning Cary Grant into a MacGuffin in North by Northwest. Continue reading “The Empty Balcony: The Avengers, or, the War of the MacGuffin”