When is a shitty movie not a shitty movie? When it’s super cheap, but also good. Such is the case with It! The Terror from Beyond Space, released in 1958.
We wrap up It Came from the ’50s with the movie that was the supposed inspiration for Alien. The story is similar. A spaceship from Earth sets down on another planet and picks up a stowaway alien with a thirst for blood. How the human spacefarers rid themselves of the alien is also similar. How the two films differ is in the small details. Continue reading “It Came from the ’50s: It! The Terror from Beyond Space”
Split Second, the 1992 flick from director Tony Maylam and screenwriter Gary Scott Thompson, has all the look and feel one would expect from low-budget Hollywood sci-fi schlock of the era. Everything is lit with colored gels, the film stock stinks, sets look cobbled together from whatever was piled out back behind the lumberyard, most location shots are dirty alleys, the original score is synthesized crap, and, in star Rutger Hauer, there is a fading Hollywood action flick veteran looking to pay some bills. In more ways than just this abbreviated list, Split Second is kin to the products of the Roger Corman gristmill, only this movie comes from England. Continue reading “October Horrorshow: Split Second”
His name isn’t in the credits, but Roger Corman was an executive producer on this piece of shit, which means a viewer can expect a masterful showcase of parsimonious filmmaking. Director Fred Olen Ray wasn’t given two pennies to rub together to make this flick, and it shows. Just about anything of consequence in the entire film was shot in the same three locations: an industrial basement, a dive bar, and an alley. That’s it. And, despite this being made in the mid-1990s, Corman and company didn’t spring for anything remotely resembling contemporary special effects, instead relying on work that belonged in cheap sci-fi from twenty years earlier. Hell, it could even be cribbed from a different Corman movie. He did that all the time. Continue reading “Shitty Movie Sundays: Droid Gunner, aka Cyberzone”
At first glance, a viewer could be forgiven if they thought Turkey Shoot, also released as Escape 2000 in the US, comes to us via an Italian master of shitty cinema such as Enzo G. Castellari or Alfonso Brescia. Turkey Shoot has the same look and feel, but it hails from Australia.
Directed by Brian Trenchard-Smith, from a screenplay by Jon George and Neill D. Hicks, Turkey Shoot takes place in a near future where an unnamed fascist regime has control over vast swathes of humanity. Like in all good totalitarian states, citizens who insist on holding onto their personal freedoms are sent to reeducation camps. Turkey Shoot follows the tribulations of the three newest detainees at Camp 47. Continue reading “Shitty Movie Sundays: Turkey Shoot, aka Escape 2000″
Project Moonbase, the 1953 film from Lippert Pictures, is among the worst movies I’ve ever seen. That wouldn’t be surprising considering it’s from the Lippert stable, but this flick was written by Robert A. Heinlein, who used to hoover up Hugo Awards for his writing. Indeed, Heinlein threw in some smart stuff, but I’m not letting him off the hook for the rest of the garbage in this screenplay. Lest Heinlein take all the blame, Richard Talmadge was in the director’s chair, and he contributed much to this film’s failure. Continue reading “Shitty Movie Sundays: Project Moonbase”
Tom Selleck at peak mustache, Gene Simmons, THAT Gene Simmons, playing a mad scientist who has an army of killer robots, in a science fiction film written and directed by Michael Crichton? Yes, I will watch that.
From 1984, Runaway is a look into the near future, where robots are a part of everyday life. They cook our food, wash our clothes, construct our buildings, and guard our businesses. But like all machines, they aren’t perfect. That is where the dedicated men and women of the police department’s runaway squad come in. Continue reading “Empty Balcony: Runaway”
Nicolas Cage is a precious resource in the world of shitty movies. Looking at his filmography, he’s not a rare resource. But, how many Oscar-winners have devoted so much of the latter days of their careers to starring in absolute shit? Sure, there have been plenty of faded stars that showed up for a day’s filming and a check in the worst film has to offer (see Carradine, John), but Cage seems committed. He doesn’t just put in token appearances in bad movies. He stars in them. A LOT of them. His IMDb page lists 27 roles from 2010 through 2017, and the majority of them have been some real dogshit. Continue reading “Shitty Movie Sundays: The Humanity Bureau”
Sometimes miracles do happen, and a shitty, straight-to-video movie finds enough success that it gets a sequel. If viewers of Cyber Tracker were left feeling a little wanting, if they felt like they needed more Don ‘The Dragon’ Wilson and more stiff androids with bottomless gun magazines, then they needn’t have feared. Wilson, director and producer Richard Pepin, and producer Joseph Mehri felt this emptiness — this animalistic need for more shitty action — and goodness gracious they filled it. Continue reading “Shitty Movie Sundays: Cyber Tracker 2, or, Century City Bullet Storm”
It’s the future! Sometime around 2015 or ’16. Professional kickboxing legend Don ‘The Dragon’ Wilson plays Eric Phillips, the head of a Secret Service detachment guarding Senator Bob Dilly (John Aprea). Dilly, while not in Washington or running for reelection, has been working with mega-corporation Cybercore to develop the Computerized Justice System, whereby crimes are prosecuted by a computer, and swift justice is carried out by androids called ‘trackers.’ Should one be convicted of murder, a tracker will appear out of nowhere and carry out sentence. There’s nothing a person can do. No deals, no appeals. Continue reading “Shitty Movie Sundays: Cyber Tracker”