I had thought that the movie business had had enough of Brian Bosworth after the spectacular mess that was Stone Cold. I was wrong. That film spawned a five-year pause in Bosworth’s acting career, but he’s been working somewhat regularly since 1996. Thank goodness. I love it when shitty action stars are able to maintain a tenuous grip in the entertainment business. It means we viewers get them in more flicks like Fred Olen Ray’s Mach 2, released in 2000. Continue reading “Shitty Movie Sundays: Mach 2″
Month: April 2019
Photo Dump: Walkabout
Here’s a gallery of random images I took walking around NYC:
Shitty Movie Sundays: Truck Stop Women
What a relentless pile of exploitative schlock. They don’t make them like this, anymore. The combination of online mob outrage, and the actual progressive growth of our morals, makes a flick like this a difficult proposition in the 21st century. Even watching this film, and a whole plethora of its contemporaries, can make a viewer feel a little squirrely, as if they were doing something wrong. This is one of those flicks that can make a person feel ashamed of being entertained. But, in for a penny, in for a pound. Truck Stop Women is wonderfully shitty. Continue reading “Shitty Movie Sundays: Truck Stop Women”
Photo Dump: Zion National Park
Here’s a small gallery of Zion National Park. I took these in the spring of 2007:
No Context Comics: BOP!
Shitty Movie Sundays: Alien Warfare
I love that movies like Alien Warfare are still being made. It’s a true action bottom feeder. With the rise of streaming, I had been concerned that the ready availability of good content would leave shitty movies like this without an audience. But, I shouldn’t have underestimated capitalism. Good movies cost more for streaming services to license, and the proliferation of streaming services means that there’s a good chance the movie one wants to watch is on a service to which they do not subscribe. And on top of that, all these streaming services are desperate for content, to make them stand out from each other. All this means there is still a market for cheap schlock. The rights holders’ overprotectiveness and over-monetization of their good properties means the shitty movie lives on. Continue reading “Shitty Movie Sundays: Alien Warfare”
Photo Dump: Glendale Steps
The same day I took the photos of Glendale Cemetery, I also took photos of the nearby Glendale Steps. They’re an old WPA project that fell into disrepair. They have since been restored, but I got there first. There are two symmetrical flights going up the hill from Glendale Avenue to South Walnut Street. At the time these pics were taken, the flight on the western side was overgrown and impassable. Like the Glendale Cemetery images, the color was an accident.
Shitty Movie Sundays: Chrome and Hot Leather
Chrome and Hot Leather walks and talks like drive-in outlaw biker gang flick, but it’s missing the two most important elements of true exploitation cinema: blood and nudity. It starts out promisingly enough, and, overall, it’s a quite enjoyable shitty movie watch, but it’s like a cake with no icing. It’s still good, but it wouldn’t be all that hard to make it better.
From way back in 1971, Chrome and Hot Leather was directed by Lee Frost, from a screenplay by Michael Haynes, David Neibel, and Don Tait. Whomever came up with the title isn’t listed in the credits, but that mysterious person certainly did more for this film’s longevity than anything that was captured on film. Perhaps it was producer Wes Bishop. No matter who is responsible, they did a nice job. Continue reading “Shitty Movie Sundays: Chrome and Hot Leather”
Photo Dump: Glendale Cemetery
Here are some more pics from my locked flickr account. These are of Glendale Cemetery in Akron, Ohio. These are from way back in August of 1999. These were all taken with black and white film, but I mistakenly scanned them in color, and this is the result. I considered it a happy accident so I left it, and did some minor fiddling with saturation levels. The differences in tone was how the scanning software interpreted the varying levels of exposure. The picture of the road snaking through the cemetery is the most interesting to me, as the grass is kind of green. I swear I had nothing to do with that. There is no color information at all in the negatives, yet there it is — green grass.