October Horrorshow: Piranha 3D

It’s October, when calm nights are suddenly pierced by screams, unseen malevolent presences terrorize entire families, crazed masked murderers stalk virginal teenagers, and Missile Test celebrates all that is evil in the world with the October Horrorshow, a month’s worth of horror film reviews. A good horror film? We’ll watch it. A bad horror film? Bring it on. An absolutely putrid pile of dog shit that had no business being produced at all? Yep, we’ll delve into those, too. Because the only thing that matters during the October Horrorshow is that there’s blood. And today’s selection has plenty of that, and not much else worth watching. Continue readingOctober Horrorshow: Piranha 3D”

October Horrorshow: From Dusk Till Dawn 2: Texas Blood Money

Listen closely at night and you should be able to hear the sound of the flapping of leathery wings. It’s October, when vampires in Chiroptera guise search for blood. And why not? October is the month of Halloween, and Missile Test is celebrating by reviewing horror films all month. It doesn’t matter if a film is good, bad, or so awful it would be better if all copies were burnt. If there’s blood, it gets a fair hearing. Today’s movie is a real dog born from a recent classic. Continue readingOctober Horrorshow: From Dusk Till Dawn 2: Texas Blood Money”

October Horrorshow: [•REC]

October is upon us. Aliens are invading, wolfmen howl at the moon, vampires avoid mirrors, and the walls are bleeding. It’s the month of Halloween, which means it’s time for the October Horrorshow, a whole month of horror film reviews on Missile Test. The good, the bad, and the putrid will all be represented in these pages. It doesn’t matter, as long as there’s blood. Continue readingOctober Horrorshow: [•REC]”

October Horrorshow: From Dusk Till Dawn, or, a Tale of Two Movies

From Dusk Till DawnOctober has come again. It being the month of Halloween, we at Missile Test choose to celebrate by watching and reviewing horror films. Ah, blood. There just can’t be enough in October. Today’s selection has plenty of it, even though it’s mostly green. But what the hell, it’s all in fun.

Quentin Tarantino was riding high after the success of Pulp Fiction, a film that had a strong case for winning Best Picture at the Oscars the year it came out. Was it Tarantino’s youth which kept his opus from taking home the top prize? Who knows? Some of the competition were no slouches in their own right, but none broke any new ground, nor did they spawn a whole genre of imitations that crop up in cinema to this day (just like Alien and all its clones). And the winner that year, Forrest Gump, felt like little more than the Baby Boomers trying to justify their actions in retrospect by infusing their youths with blandness and innocence, when naiveté (with a sharp edge, at least) would have been a more apt description. This trivializes the profound role they played in turning public opinion against the war in Vietnam, but their role was not nearly as important as that played by the news media who brought home the images of war to the American public. The youth had always been suspicious, and were never onboard with the war policy from the beginning, but every other demographic in America couldn’t have given two shits if we had been winning the war instead of losing it. Anyway, I honestly can’t tell if that film was an apology to their parents or an apology to the directionless void of malaise left behind by their sudden thrust into real adulthood that was then passed on to their slacker Gen X children. Continue readingOctober Horrorshow: From Dusk Till Dawn, or, a Tale of Two Movies”

October Horrorshow: The Human Centipede

The Human CentipedeThe air is finally crisp here in the big city. The last gasp of humidity fled with the coming of Autumn, and in its place came the sounds of screams carried on the wind. For it’s October, when movie screens and television sets across the country run red with blood. It’s the month of Halloween, and to celebrate, it’s time once again for the October Horrorshow — time to dedicate Missile Test to watching and reviewing horror films. And we start out with a real winner.

I watched this entire movie. I could not regret that decision more. I was hoping for something — any unexpected or tragic event to occur while the film was running that would enable me to look away. Car accident outside. House fire. Power outage. Meteorite impact. Terrorist attack. Stroke. Aneurysm. Anything at all. Because I just could not turn away from this sick, sick movie. And that is my fault. My fault alone.

Written and directed by Tom Six, The Human Centipede is the story of a surgeon with a dream. Dr. Heiter (Dieter Laser, in a hell of a performance) is obsessed with an idea he first tried out on his beloved Rottweilers. Using his unmatched surgical skill, Heiter dreams of creating a single creature by attaching multiple people mouth to anus, creating the human centipede of the title. It’s as disgusting as it sounds. Continue readingOctober Horrorshow: The Human Centipede”

Ignorance Is Bliss

Author and scholar Neal Gabler had an idea about big ideas in this past Sunday’s New York Times:

 

It is no secret, especially here in America, that we live in a post-Enlightenment age in which rationality, science, evidence, logical argument and debate have lost the battle in many sectors, and perhaps even in society generally, to superstition, faith, opinion and orthodoxy. While we continue to make giant technological advances, we may be the first generation to have turned back the epochal clock — to have gone backward intellectually from advanced modes of thinking into old modes of belief.

It’s a terrible thing that so many of our leaders and talking heads, especially on the right, demonize knowledge the way they do. It’s as if they are afraid that learning things that challenge preconceptions is a direct threat to their sense of self. To a degree, they’re right, but real learning is at its most profound when it jars a person out of ignorance. But I guess comfort is more important than truth.

Shitty Movie Sundays: Reign of Fire

What a gloriously stupid movie. Reign of Fire, from 2002, is about a post-apocalyptic near future in which dragons have been mistakenly awakened from a cave deep underneath London, and have turned the earth into a blackened ball of ash. A group of survivors, led by Quinn (Christian Bale), are eking out a meager existence in a ruined castle in Northumberland in the north of England, keeping their heads low and trying not to starve to death. They’ve reached a kind of perilous equilibrium, sure that as the dragons have burnt the surface of the planet to a crisp, it will only be a matter of time before the beasts all starve to death as well, and then rebuilding human civilization can begin. It’s a dangerous waiting game, between this meager group and the beasts, caught in a race to see which side can outlast the other. No side can hold out much longer, both heir to a land blackened and barren. The humans have pluck, and left alone, they may be the ones to survive, while the dragons, after all, are only animals. Continue readingShitty Movie Sundays: Reign of Fire”

Elephant Dung and the Final Defeat of Liberalism

The Republican Party and the Democratic Party are engaged in quite the game of brinksmanship of late. Amid warnings from leadership on both sides that a default of the US Government is imminent in a little over a week unless the debt ceiling is raised, no one on either side seems willing to get a deal done, despite the fact that all the compromise deals that have been offered by both sides, and rogue elements within their parties, are similar to the point of being indistinguishable to anyone who sees little difference between two and three trillion dollars. (That’s where we’ve come to in our debt and deficit debates, where our leaders are quibbling over numbers so vast that they enter into the abstract. It’s not the number ‘trillion’ that catches the eye in this mess, it’s the numbers ‘two’ and ‘three,’ and even ‘3.2.’) Continue reading “Elephant Dung and the Final Defeat of Liberalism”

The Empty Balcony: Source Code

Written by Ben Ripley and directed by Duncan Jones, Source Code is a modern terrorism thriller that has an interesting premise. Using technology, a government agency has developed a method of melding a person’s consciousness with the last eight minutes in the life of a dead man. In this case, the dead man is a victim of a terrorist attack on a train that happened that very morning. For those eight minutes, the film’s protagonist, Capt. Colter Stevens (Jake Gyllenhaal), experiences all the sights and sounds the victim did while aboard the train, but this isn’t a replay of recorded events. Colter can move around and interact with the environment, exploring places that were hidden from the view of his deceased avatar, strike up new conversations, etc., all in an effort to find out what happened aboard that train. Continue readingThe Empty Balcony: Source Code”