October Horrorshow

It Came from the ’50s: Earth vs. the Flying Saucers

For today’s entry in It Came from the 1950s, we have a film that tries its best to resemble its poorer cousins, but the overall sheen of competence cannot be hidden.

Earth vs. the Flying Saucers comes to us via director Fred F. Sears and screenwriters Bernard Gordon and George Worthing Yates. Released in 1956, Saucers stars Hugh Marlowe and Joan Taylor as Russell and Carol Marvin. Russell is a scientist in charge of Project Skyhook, which is a series of unmanned research rockets launched into orbit. Carol is his wife and assistant. Continue reading “It Came from the ’50s: Earth vs. the Flying Saucers”

October Horrorshow: Black Ops, aka Deadwater

Lance Henriksen is as old as dirt. He’s so old the primordial soup called him ‘daddy.’ He’s so old his grandkids had to teach him how to program the VCR. He’s so old he can tell the difference between Sarsaparilla and root beer. He’s so old…one gets the idea. In reality, he’s old but not that old. As of this writing, he’s 79. Well into old age, but not a doddering eldster, either. I bring this up because today’s horror flick, Black Ops, originally title Deadwater, was released straight to video in 2008, just a few weeks after the film’s star, Lance Henriksen, turned 68. Continue reading “October Horrorshow: Black Ops, aka Deadwater”

It Came from the ’50s: The Creature Walks Among Us

Universal had a hot property in The Creature from the Black Lagoon, and they understandably wanted to cash in on it some more. That led to a lazy sequel in Revenge of the Creature, and a silly mess in today’s ’50s flick, The Creature Walks Among Us.

Coming along a year after Revenge, in 1956, The Creature Walks Among Us is the first film in the series not to be directed by Jack Arnold. He had ambitions beyond directing b-flicks, if the internet is to be believed, so bowed out of the project. Directing duties were handled by John Sherwood, from a screenplay by Arthur A. Ross. Continue reading “It Came from the ’50s: The Creature Walks Among Us”

October Horrorshow: The Blood Beast Terror

Hammer wasn’t the only production company making gothic horror films in England in the mid-20th century. Amicus productions dipped a few toes into the waters, as did Tigon, the company behind The Blood Beast Terror.

Released in 1968, Terror is all-but indistinguishable from contemporary Hammer productions, all the way up to its star, Peter Cushing. The only thing I could find that really separates this film from a Hammer production is that this film had a lower production quality. Hammer didn’t exactly break the bank when it came to financing their pictures, and one has to have a strong suspension of disbelief to watch them. Those familiar with Hammer films will know to what I’m referring. For everyone else, this film’s production issues are apparent in the questionable quality of the film stock, the poor sound quality of the rerecorded dialogue, and the plainness of the set decoration. It never feels as if this film inhabits the distant past, especially in moments when horse-drawn carriages trundle over asphalt pavement. Continue reading “October Horrorshow: The Blood Beast Terror”

It Came from the ’50s: Invasion of the Body Snatchers (1956)

Regular readers know that we here at Missile Test love us some schlock. Especially the ’50s kind, with its cheap sets, hammy actors, ridiculous monsters, and short ties. At first glance, 1956’s Invasion of the Body Snatchers would fit right in. But, this flick ain’t schlock. Oh, no.

Directed by Don Siegel (who directed some excellent movies — including Dirty Harry), from a screenplay by Daniel Mainwaring, adapting Jack Finney’s novel, Body Snatchers tells the tale of a small town in California whose residents are being replaced by impostors. Continue reading “It Came from the ’50s: Invasion of the Body Snatchers (1956)”

October Horrorshow: The Dead Hate the Living!

I haven’t seen a whole bunch of films from Full Moon Features, Charles Band’s production company, but they have had a couple great titles for their flicks. There’s Castle Freak, which is a more literal title than it appears at first glance; and Evil Bong, or, as it’s called in headshops all over America, Evil Water Pipe. Today’s horror flick has a title better than those two. In fact, it’s a title on par with Children Shouldn’t Play with Dead Things. Like Children Shouldn’t Play with Dead Things, getting the title right was the high point of the production, unfortunately. Continue reading “October Horrorshow: The Dead Hate the Living!”

It Came from the ’50s: The Phantom from 10,000 Leagues

American International Pictures specialized in crap, but even for AIP, this is a bad one. The Phantom from 10,000 Leagues is among the most tedious, least interesting films I’ve ever seen. It’s a monster flick that has more dialogue than a Merchant Ivory costume drama, and all of it is inane. There’s even a spy angle that does little more than stretch out the running time and subject us to more talking. And the monster? It’s a rubber suit, but it could just as well have been a statue for all the trouble Norma Hanson, who was in the suit, had moving around. Phantom is a direct challenge to a viewer’s attention span. If there is a smartphone within reach, I defy any viewer to watch this flick without picking it up. Continue reading “It Came from the ’50s: The Phantom from 10,000 Leagues”

October Horrorshow: The Legend of Boggy Creek

Joe Bob Briggs, drive-in movie reviewer and movie host extraordinaire, once referred to this strange film as a ‘horror documentary musical reality show’, and that pretty well sums things up. But, in the interest of being thorough, and to stretch out this review to over 600 words, a little more detail is in order.

The Legend of Boggy Creek comes to us from way back in 1972. The brainchild of local Arkansas TV personality Charles B. Pierce, Boggy Creek, to add to Joe Bob’s flowing description, is a docudrama. It consists of dramatic recreations of encounters the people of Fouke, Arkansas had with a bigfoot-like creature in 1971. These stories were taken seriously enough to be featured in newspapers and on television. Continue reading “October Horrorshow: The Legend of Boggy Creek”

It Came from the ’50s: Revenge of the Creature

Revenge of the Creature movie posterThe folks at Universal Pictures must have been surprised when their 1954 schlock monster flick, Creature from the Black Lagoon, turned out to not only be good, but also a moneymaker. Turnaround was quicker back then, so just a year later producer William Alland and director Jack Arnold were able to premiere a sequel.

From a screenplay by Martin Berkeley, Revenge of the Creature follows another scientific expedition to the black lagoon. Nestor Paiva returns as Captain Lucas, the skipper of the boat the team takes. This sequence is brief. The creature is captured quickly and taken to the Ocean Harbor Oceanarium in Florida, to live out the rest of its days as the star attraction.

Meanwhile, Professor Clete Ferguson (John Agar), learns of the creature’s capture and makes his way to the oceanarium to study it. There, he takes on an ichthyology student, Helen Dobson (Lori Nelson), as his assistant. The two also provide the film’s requisite romance.

Ferguson wants to find out if the creature is intelligent. The experiments require diving into the tank where the creature is held. It’s risky work, but that’s good for the viewer. Because, beyond what I’ve already described, there is no other plot. The creature is caught and being studied, and both filmmakers and audience are waiting around for something to happen. Continue reading “It Came from the ’50s: Revenge of the Creature”

October Horrorshow: Paranormal Investigation

Just when I thought Amazon had cornered the market on films so obscure they don’t have Wikipedia pages, Netflix steps up their game. Paranormal Investigation, the 2018 found footage ghost flick from director Franck Phelizon, is so obscure that not only is it nowhere to be found on Wikipedia (as of this writing), its IMDb page is very sparse. There’s not a single cast member with an associated headshot, and most have only this film as their sole credit. I wish I could write in some greater detail about the cast, but that’s going to be difficult. The film’s credits are as sparse as its internet presence. Continue reading “October Horrorshow: Paranormal Investigation”