First, I can say without exception or equivocation that the United States will not torture.
— President Obama
Three days after Barack Obama’s inauguration and the new president has instituted perhaps the toughest lobbying rules for prospective and former members of his administration in the history of the office. He has revoked the veto power of former presidents and vice presidents to hide their papers from public view. He has signed executive orders setting a closing date for the prison at Guantanamo Bay, set up a panel to review the status of all prisoners there, and ordered the CIA to close its overseas black sites. He has ordered that all detainees be treated in accordance with the Geneva Conventions, and interrogations follow guidelines established in the Army Field Manual, which prohibits waterboarding, prolonged sleep deprivation, stress positions, forced nakedness and sexual humiliation, exposure to extreme temperatures, and other techniques up to and including direct physical harm. In announcing that order, President Obama became the first person in the Executive Branch in about seven years who was not lying when he said the United States does not torture. Continue reading “What Country Is This?”

Horror Express is one of those good bad movies. The budget is low, the plot has twists and turns which serve little purpose than stretching out the running time, and a middling celebrity makes a token appearance to swipe a quick paycheck in exchange for lending some prestige to the film. Ah, Telly Savalas. During the 1970s, cheap European horror films must have been how he expensed vacations. His name is in the credits, to be sure, but the title of the film could easily be changed to Where’s Telly Savalas? Kojak takes his sweet time making his entrance, but such bliss, for Savalas plays a Cossack captain in command of soldiers in Siberia. He’s gruff and flamboyant all at once, smoking cigarillos and drinking vodka, never quite sure if he should talk with a Russian accent. It looked like his scenes were filmed in a day. Anyway, Savalas isn’t in a starring role.
The three films adapted from Richard Matheson’s 1954 novel I Am Legend vary widely in scope, story, and distance from the original source material. They are all shaky and mostly forgettable, but The Omega Man maintains a special place in cinema as one of star Charlton Heston’s many 1970s forays into post-apocalyptic science fiction. For that, it is the most interesting of the three adaptations, if not the best, edging The Last Man on Earth by a close margin.
I’ve never met a movie I wouldn’t watch. That must be the reason I looked at this dog there in the iTunes store, staring really, wondering, was I really going to do it? Was I really going to spend $2.99 of my hard-earned cash to rent Starship Troopers 3? I wish I could write that watching my hand move the mouse and click on the ‘rent’ button was like an out of body experience, one over which I had no control. But really, I just said to myself, “Aw, fuck it. Why not?”