What a gloriously stupid movie. I loved just about every minute of it. Writer/director David A. Prior made a shitty movie, but in giving it a solid pace and an absurd amount of violence, he made something entertaining and watchable. I defy anyone who watches not to laugh during multiple parts of this film, usually when the star, David’s beefcake brother Ted, stabs someone with a Halloween store plastic knife, or spouts out one-liners that would have left Sylvester Stallone blushing.
From way back in 1987, Deadly Prey is a direct-to-video Rambo ripoff. Ted Prior stars as Mike Danton, a Vietnam vet whom David places into an arena and allows to go kill crazy. Danton’s antagonist is Colonel Hogan (David Campbell), his former commanding officer, who has set up a mercenary training camp outside of Los Angeles. Ted Prior may play the main character, but he doesn’t get top billing. That goes to Cameron ‘Discount Shatner’ Mitchell and Troy Donahue, who were slumming it for an easy paycheck. Their scenes in this film looked as if they were filmed in a day. Continue reading “Deadly Prey”

All Stef Djordevic (Tom Cruise) wants is to get out of town, and I don’t blame him. All the Right Moves, the 1983 film from director Michael Chapman and screenwriter Michael Kane, opens on a rather depressing moment. It’s morning at the steel mill, and Stef’s older brother and father are shown wrapping up their graveyard shift. They leave the mill in silence, their fellow workers just as spent as they are. The message for viewers is clear, if not all that accurate for some (my grandfathers used to hit the bar across the street from their mill immediately after work — end of shift was a time for jollity, not introspection). The mill takes all your hopes and dreams, and crushes them. But at least it keeps food on the table and a roof over one’s head…until the layoffs start.
Not all shitty movies are bloody horror, or borderline pornographic sleaze. Not all shitty movies are cut and paste westerns, Italian sci-fi ripoffs, or rubber monsters. Some are family flicks, featuring well-known country/western crooners in tales of race cars, music, and moonshine. That particular formula is followed by Hell on Wheels, the 1967 star vehicle for singer/songwriter and gentleman race car driver Marty Robbins.