Why fix something if it isn’t broken? Well, that depends on one’s definition of broken. Friday the 13th was a little movie that could. Little plot, little acting, little in the way of developing much of what makes a good movie. But it had a substantial body count, and had huge returns on its little budget. So a sequel was made, but one that was less a sequel and more a remake. Friday the 13th Part 2 still had a tiny budget, but was blessed with enough funds to afford some of the finer things in moviemaking, like extras, better film stock and lenses, and better actors. Part 2 breaks out of some of the claustrophobia that was a necessary result of the shoestring the first movie was hanging by, but the plot, what little of it, remains faithful to the original: Lusty camp counselors encounter psychopathic murderer in isolated lakeside campsite. Got it? Cause that’s it. Continue reading “Friday the 13th Part 2”
Some of Those Responsible: Adrienne King
Friday the 13th
There’s bad cinema, and then there’s bad cinema. Some movies are just unwatchable, displaying a profound lack of skill on the part of the filmmakers. There is nothing to them, not even the satisfaction of shock value. Take, for example, something like Theodore Rex, a film I wrote about last year. That movie was pathetic, with no redeeming qualities at all. It was even uncomfortably racist. But, had the title lizard gone on a murderous rampage, the filmmakers may have had something. Imagine that, a film so bad that it elevates grisly murder to the level of ‘redeeming quality’. Truly, a film that must be seen to be believed. Continue reading “Friday the 13th”