Racing is a popular sport, but at the same time, it’s very niche. The sport can be opaque, which is surprising about something with a premise as simple as seeing who’s the fastest around a track. But, like all things that human beings get ahold of, a simple premise becomes complicated over time. Rulebooks get thicker, jargon becomes more and more unintelligible to the uninitiated, and the barriers to learning how to appreciate a sport like racing grow too high for many casual observers. To many people watching on television, racing, especially on road courses, looks like a bunch of cars making turns with little context available beyond what’s coming from the announcers. Continue reading “The Empty Balcony: Rush”
Some of Those Responsible: Anthony Dod Mantle
The Empty Balcony: Dredd
“Let’s finish this.” Really? Still, it’s good. Trust me.
Blink and you would have missed it. Dredd, written by Alex Garland and directed by Pete Travis, went in and out of movie theaters so quickly this fall that by the time I realized it had been released, it was already gone. Maybe it was a failure of marketing, maybe it was a lack of interest in the characters, maybe it was just fatigue after a summer filled with overwrought comic book adaptations which kept viewers away. And, it has to be said, maybe it was the hard ‘R’ rating the film earned. Whatever the reasons, one or a combination of all of these and more, Dredd was a flop. Which is too bad, because it was the best of the comic book films released this year, and one of the best comic book films I’ve ever seen. Continue reading “The Empty Balcony: Dredd”