Branscombe Richmond – Missile Test

A true mark of quality in a shitty sci-fi flick from Hollywood in the 1980s and ’90s was use of the Kaiser Steel Mill in Fontana, California, as a shooting location. Just check out this list on IMDb. The more ruinous parts of the mill were a perfect location for a post-apocalyptic or dystopian landscape. Those portions have since been paved over for the Auto Club Speedway, but they live on in films like Robocop, The Running Man, and Nemesis, a 1992 cyberpunk, neo-noir action flick that, somehow, spawned a direct-to-video franchise.

Directed by Albert Pyun from a screenplay by Rebecca Charles, Nemesis stars Olivier Gruner as Alex Rain, a gritty detective in the LAPD. Continue reading “Shitty Movie Sundays: Nemesis (1992)”

The early 1990s were very much a weird time. It was an extended hangover from our experience of the ’80s, and movies reflected that. As important as music was in redefining style, and giving the younger Gen-X slackers senseless purposelessness, there was still a fair amount of big hair and mullets out there alongside the flannels and unkempt coiffures. In shitty cinema, sharp suits, tight skirts, and cocaine were still the rage, while out in the real world, alternative rock had rediscovered heroin. Movies were playing a game of catch-up when it came to popular culture, resulting in some films looking like anachronisms.

1993 saw the release of No Escape No Return, a cheap buddy cop flick that takes all the well-worn clichés of the last decade-plus and stirs them into a shitty mush. Charles T. Kanganis handled writing and directing. More importantly, Joseph Merhi, a Shitty Movie Sundays Hall of Fame inductee, was one of the producers, adding this film to an impressive list of subpar accomplishments. Continue reading “Shitty Movie Sundays: No Escape No Return, or, Three Riggses and No Murtaughs”