Audiences haven’t gotten a lot of Sylvester Stallone in an ensemble cast. Sure, there was a fairly large gathering of stars in the Expendables flicks, but Sly was the star of those films, full stop. Cop Land came after a string of mild box office successes and a couple of flops. Sly’s stock in Hollywood was on the downswing, and when this movie came out, it was touted as a comeback, of sorts. Continue reading “Stallone Month: Cop Land”
Some of Those Responsible: Cathy Moriarty
Schwarzenegger Month: Kindergarten Cop
Sometimes, the toughest thing when writing about film is being impartial. Not every film a reviewer watches fits into their tastes or what moves them, but that does not mean a film is bad, or that it can be simply dismissed. The immediate, visceral reaction that one has to a film is only one factor that must be considered in deciding whether or not it is any good. For me, personally, there is no greater film kryptonite than a family flick. Even when I was a kid I could barely tolerate a family flick. Anything that tries so hard to be inoffensive, that so consciously tries to remove any edge or soul that is has, that appeals to the softest parts of all of us, is a whitewashing of the human experience, a greater fantasy than anything with dragons and orcs in it. Nobody, and I mean nobody, smiles as much as the suburban American zombies that inhabit family films. I don’t know why the idea of wholesomeness enrages me so much, but it always has, and it always will. Continue reading “Schwarzenegger Month: Kindergarten Cop”