A person doesn’t have to have a massive ego to be a bodybuilder, but it helps. Pumping Iron is the most personal film in which Arnold Schwarzenegger has appeared, because the only character he is playing is himself. Throughout the film, a documentary on bodybuilding featuring Arnold, Lou Ferrigno, and many others, the question of Arnold’s authenticity hovers over everything. Early on, he describes his life as a constant state of euphoria. Between sex, the feeling he gets from working out in the gym, pumping up before a show, and posing in front of people, he is, in his words, “...cumming day and night. I mean, it’s terrific, right? So you know, I’m in heaven.” These are the words of enthused youth, maybe ignorant, maybe indifferent of how bizarre it is to equate one’s life with a never-ending stream of orgasms. What this part of the film, such a graphic picture of his happiness, says to me is that he thinks he is the greatest man on the earth, certainly better than anyone he has ever met. Later, he talks about his desire to be one of those rare individuals that history remembers. He even cites Jesus Christ as an example. Wow. What a massive, walloping, over-indulgent sense of self. It’s hardly an endearing trait, but in combination with his work ethic, it created quite a return on investment. Continue reading “Schwarzenegger Month: Pumping Iron”
Some of Those Responsible: Charles Gaines
Schwarzenegger Month: Stay Hungry
Stay Hungry, from director Bob Rafelson, was not Arnold Schwarzenegger’s first time in front of the camera, but he’s given an ‘introducing’ billing nonetheless. And why the hell not? It’s not like anyone saw Hercules in New York. Continue reading “Schwarzenegger Month: Stay Hungry”