Some movies just don’t need to be made. Did we really need a reboot of the Spider-Man franchise this past year? Or another Texas Chainsaw Massacre remake so soon after the last one? Do we need any of the reboots, remakes, sequels, rethinkings, reimaginings, spinoffs, etc., that we get every year? Of course not. But as long as we keep paying to see them, Hollywood will keep making them.
Case in point, Hannibal Rising, from 2007. Continue reading “October Horrorshow: Hannibal Rising”
The Awakening, from 2011, is better than most horror films I’ve seen. It’s also one of those films featuring the supernatural that doesn’t quite fit all that well into the surprisingly rigid definitions of the genre. Films like The Shining, The Sixth Sense, and others, are horror films by default, when in actuality, they rise above such rote classifications. The Awakening is not in the class of the two films cited above, but it has the same aspirations to break away from the bonds of genre.
Directed by Nick Murphy, and written by Stephen Volk and Mr. Murphy, The Awakening follows Florence Cathcart (Rebecca Hall), a young woman in England a few years after the end of World War I. She’s Cambridge-educated and has fiercely-held beliefs. Among these are the equal status of women and the ridiculousness of belief in the supernatural, including belief in God. She’s the author of a widely-read book that purports to debunk the supernatural, and the viewer’s first experience with Florence is her doing just that. Continue reading “October Horrorshow: The Awakening”