Shitty Movie Sundays: The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies; or, A Rather Long Series of Below Average Nightclub Acts With a Movie Inserted Here and There; or, It’s Not Burlesque, It’s Not Porn, It’s Not a Nudie Cutie, It’s Just a Bad Movie

As of this writing, today’s film, b-movie auteur Ray Dennis Steckler’s masterpiece, is on Wikipedia’s List of films considered the worst. Well, excuse me, unpaid editors of Wikipedia, but this unpaid film critic, whose list of bad movies is much more extensive, thinks this is far from the worst movie ever made. It’s not good, sure, but this dog has way too much life in it to call it one of the worst films ever made. This flick is high kitsch, high outsider art, and a glimpse into worlds many people, some of which are your friends and relatives, live in when all the popular shit we’re supposed to like just leaves one feeling empty and used. Continue readingShitty Movie Sundays: The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies; or, A Rather Long Series of Below Average Nightclub Acts With a Movie Inserted Here and There; or, It’s Not Burlesque, It’s Not Porn, It’s Not a Nudie Cutie, It’s Just a Bad Movie”

October Horrorshow: The Dungeon of Harrow

The Information Age is a wonderful thing. As long as it keeps its filthy hands off of democracy, anyway. What I mean is, all a person needs to make a movie these days is a smartphone and an idea. That’s pretty much all Nigel Bach has, and that guy just made his seventh horror flick in three years. Besides that, countless people have been shooting small moving snapshots of daily life that are creating a pastiche of culture to pass down to the ages that is unrivaled in human history. But that doesn’t mean that the world of film was completely closed off to everyone outside of Hollywood or New York in the days of analog. Sometimes, someone on the fringes of the entertainment biz — someone along the lines of Herk Harvey or Harold P. Warren — would get it into their heads to make a movie, and, despite all the obstacles of a time when one couldn’t carry a film crew in their back pocket, managed to make it happen. Such was the case with The Dungeon of Harrow, the 1962 gothic horror flick from writer/director Pat Boyette. Continue readingOctober Horrorshow: The Dungeon of Harrow”

Shitty Movie Sundays: The Sadist

The Sadist movie posterThis film was up in the air. There was much debate upstairs about where this film should be categorized. It is clearly a b-movie, but it’s also shot very well, by a cinematographer, Vilmos Zsigmond, who would go on to win an Oscar for Close Encounters of the Third Kind. Writer/director John Landis doesn’t have anything in his filmography that would make potential viewers think he had a movie like this in him, yet this film is gripping from beginning to end, and, while being steeped in noir tropes and cliché of the era, has moments of true shock and unpredictability. But, despite how excellent is this movie, I have to slot it into Shitty Movie Sundays, for one reason, and one reason only: Arch Hall, Jr.

From 1963, The Sadist is a noir thriller that is one of many films inspired by the real-life crimes of Charles Starkweather and Caril Fugate, who went on a killing spree in 1958. Their analogues in this film are Charles Tibbs (Hall), and Judy Bradshaw (Marilyn Manning). Continue readingShitty Movie Sundays: The Sadist”