Eli Roth isn’t just a filmmaker. He’s a student of film, with a well-known passion for horror films — Italian horror in particular. One of his favorites happens to be Cannibal Holocaust, which is amongst the most difficult of films to sit through, with its depictions of cannibalism and real animal slaughter. Of course it would only be a matter of time before Roth, the director of two supremely gory and unsettling Hostel movies, would turn his twisted eye to subject matter like that, sans killing animals.
From 2013, and written by Roth and Guillermo Amoedo, The Green Inferno (the title is a nod to Cannibal Holocaust, as ‘The Green Inferno’ was the title of the film-within-a-film that characters were shooting) follows a group of student protesters who travel to the Peruvian jungle to stop a gas company from bulldozing the village of an isolated tribe. As the protesters are heading home, their small plane crashes shortly after takeoff, and the survivors find themselves prisoners of the very tribe they were trying to save. If one has not guessed it by now, the tribe are headhunting cannibals, and waste no time preparing dinner in grisly fashion. Continue reading “October Horrorshow: The Green Inferno (2013)”
As moviegoers, we’ve been spoiled rotten this past decade. When a good movie is released that makes a pile of dough, the studios have been more than happy to invest money in a sequel, or two, or three. Unlike the days of Hollywood past, these latter-day sequels usually measure up to the original. Sure, there are still dogs out there, but long gone are the days of Jaws 2 and Rocky 2...and Jaws 3, and Jaws: The Revenge. The willingness of original stars and creative teams (i.e., them being contractually obligated) to retread familiar ground is a big part of this. Outdated notions of artistic integrity don’t stand a chance with all that potential money flying around.