Schwarzenegger Month: Collateral Damage

This is one dark film. Which may explain why it failed at the box office. In Collateral Damage, Arnold Schwarzenegger stars as Gordy Brewer, a Los Angeles firefighter who loses his wife and son in a terrorist attack. Firefighter, terrorism, innocent victims. Considering this movie was released in February of 2002, only weeks after ground zero in Manhattan stopped smoking, there is a strong possibility the film’s subject matter kept people away. Not only was terrorism a touchy subject back then, the 9/11 attacks were not completely over yet. Not as long as they were still clearing debris. That’s some bad timing. But it could have been worse. The original release date for this film was less than a month after the attacks. I wish I could say I was sympathetic to the plight of the filmmakers and everyone else involved in this project, but tough shit. A film flailing at the box office was the least of the country’s concerns back then. Continue readingSchwarzenegger Month: Collateral Damage”

The Empty Balcony: Zodiac

David Fincher’s Zodiac floats through the 1970s and beyond, often in a dreamlike state. A story about a notorious serial killer and those investigating him, it’s the period backdrop where Fincher and his crew are most effective. Whether his vision of the times is accurate is hard to gauge, but peering back through the lens of memory with Zodiac superimposed on top brought to the fore feelings of nostalgia. And, in fact, period pieces can never be completely accurate. They live and die in our own flawed remembrances of times gone by. Continue readingThe Empty Balcony: Zodiac”