The Devil’s Rain, the mafia-financed(!) horror flick from 1975, is blessed with a dubious honor — it made Roger Ebert’s list of most hated films. Roger Ebert was a brilliant film critic, but something of a stick in the mud. Sure, this film is silly, the plot meanders and is sometimes contradictory, and the ending is far too drawn out, but I can think of many, many more films to hate before even considering The Devil’s Rain. In fact, I don’t have to think about it at all, since I have a list handy, and The Devil’s Rain is better than any movie in the bottom fifty in said list. So there, Roger. Continue reading “October Horrorshow: The Devil’s Rain”
Some of Those Responsible: Ernest Borgnine
Shitty Movie Sundays: When Time Ran Out, or, The Poseidon Volcano
Irwin Allen had been producing motion pictures for over twenty years before he wandered into the disaster genre. He had a pair of genre-defining hits with The Poseidon Adventure and The Towering Inferno, but that was about all the water Allen could draw from that well before bringing up sludge. Next came The Swarm (dreadful), then Beyond the Poseidon Adventure (sickening), and finally When Time Ran Out. According to the internet, so it must be true, Paul Newman, star of When Time Ran Out, was once asked if he regretted making any film. He answered, “That volcano movie.” Continue reading “Shitty Movie Sundays: When Time Ran Out, or, The Poseidon Volcano”
The Empty Balcony: Escape from New York
Back before the great wave of gentrification began to hit American cities in the mid-1990s, there was the 1980s, an era when the distressed environment of the cities bottomed out. Long decades of neglect, strained local budgets, and rising crime left our cities veritable war zones. The inner cities were voids of hopelessness, abject poverty, and filth. Even affluent neighborhoods were just dangerous enough to breed well-heeled residents with canny street smarts, always looking over their shoulders for the dark figure hiding behind a tree or in an alley. This kind of palpable fear of urban environments is contagious, and it entered into our lore. We could envision no bright future for the American city because we had seen decay extend its grip for so long. Today’s cities have not fully recovered, and they remain always on the brink, ready to slide back as soon as people’s cares turn elsewhere, but it’s hard to picture just how bad things got unless one were a witness.
There are a few films here and there where our urban legacy is on full display. Wolfen had major scenes, some visually stunning, filmed among the devastation of the South Bronx. The classic film The French Connection was a study in browns — rust and dirt every bit as important a character as Popeye Doyle. Fort Apache, The Bronx was a caricature of the inner city, sometimes offensive, but it came from somewhere real. The Warriors has attained mythical status as New York’s ultimate cult film of the night, playing on our fears of a city gone out of control, at the mercy of costumed thugs. At times laughable, the film still wallowed in very real grit, a symptom of the disease that had befallen the city. Continue reading “The Empty Balcony: Escape from New York”