Some of Those Responsible: Gary B Kibbe

October Horrorshow: Ghosts of Mars

Ghosts of Mars movie posterJohn Carpenter is one of my favorite directors. He’s not on the Mount Rushmore of filmmakers, but his best films can be thought of as eminently watchable. They are respected. They are known and successful enough that a lot have been remade. But he also has some films that are not so good. It would be easy to blame Carpenter’s poorer quality films on budget, but that does not compute. Carpenter worked magic with the measly budgets he had in Halloween and Escape from New York. Rather, something happened in the late 1980s, starting with Prince of Darkness in 1987, that precipitated a steady decline. There were still sparks of life in his films, but that eminently watchable quality of his films seemed to fly away. In its place was substituted cheapness, sometimes of rank quality, and this turn was inexplicable from a filmmaker who had done so much with so little throughout his career.

I knew Ghosts of Mars was going to be trouble before the opening credits. Viewers are treated to a voiceover explaining the situation on Mars in the 22nd century, while at the same time captions flash on the screen providing even more information. It’s a jumble of sci-fi exposition, and the lack of care taken in this introduction is not a good sign. Continue reading “October Horrorshow: Ghosts of Mars”

Shitty Movie Sundays: Escape from L.A.

From IMDb’s trivia page on Escape from L.A.: Escape from LA [sic] was caught in development hell for over ten years. A script for the film was first commissioned in 1985 but John Carpenter thought it “too light, too campy.”

Too campy? Why? Were The Riddler and Two-Face in the original draft? I find it hard to believe that Carpenter rejected a script for this film because it was campy. This movie lives on camp. It’s not light, though. I’ll give Carpenter that. Escape from L.A. is a violent flick. A bit cartoonish, maybe, but that many bullets can’t be fired in a movie and still be considered light. Continue reading “Shitty Movie Sundays: Escape from L.A.”

October Horrorshow: Village of the Damned (1995)

The October Horrorshow continues here on Missile Test with a film from the latter half of John Carpenter’s career. The man whose work has inspired no less than three remakes (with more on the way) was no stranger to remakes himself, having previously applied his unique talents to The Thing. More than a decade later, 1995 saw the release of Village of the Damned, a remake of the 1960 British production of the same name. Carpenter’s Village of the Damned is not that bad of a film, but it suffers from the same great flaw that typifies much of his work. That is, the ideas in the film are better than the execution. Carpenter flicks will get the gears turning, a good thing, but in Village of the Damned, like in They Live or even a classic such as Escape from New York, so much territory feels left unexplored. Continue reading “October Horrorshow: Village of the Damned (1995)”

October Horrorshow: Vampires

The year 2010 will be a treat. In this coming year, a new John Carpenter film, The Ward, will be released. It will be his first film since Ghosts of Mars, from way back in the far distant days of 2001. This has been a long layoff for the director — the longest in his career. One could easily have concluded that Carpenter had retired, maybe not completely with his own consent. The backend of Carpenter’s directorial career has been one box office bomb after another, none of the films able to capture or build upon the mastery of schlock, and horror, that he showed in his peak days three decades ago. His professional tale is one of the inevitable slide that all creative people who live long enough go through eventually. Depressing? It shouldn’t be, because even though his films have kept getting shittier and shittier, he still had the skill to crank out something like Vampires, a film that just reeks John Carpenter from start to finish. Continue reading “October Horrorshow: Vampires”

October Horrorshow, Retroactive: Prince of Darkness

victorwong
Victor Wong will kick your ass with a chopstick and a can of Shasta.

This is attempt number five. The fifth time I’ve begun a review of John Carpenter’s Prince of Darkness. Hopefully, I’ll be able to finish this effort. Suppose I start with a declarative statement, then justify it with an argument? Sounds like a plan. Continue reading “October Horrorshow, Retroactive: Prince of Darkness”