Giant Monstershow: Empire of the Ants

It’s a melancholy day for the October Horrorshow Giant Monstershow, for this is the last film of the month from giant monster auteur Bert I. Gordon. His peak days as a filmmaker were in the 1950s, but while Gordon’s pace of work slowed, he never went more than a few years without directing something. In 1977, that something was Empire of the Ants, also written by Gordon, loosely adapting the H.G. Wells story of the same name. Something of a follow-up to Gordon’s Food of the Gods, Empire of the Ants tells the story of a Florida real estate pitch gone wrong. Continue readingGiant Monstershow: Empire of the Ants”

Giant Monstershow: The Food of the Gods

This is an important day for the October Horrorshow Giant Monstershow. The featured auteur of this month of reviews has returned. For the seventh time this month, a review features a film by Bert I. Gordon. Yes, a filmmaker that showed mastery at failing to master the art of filmmaking is back. Today’s film, from 1976, also shows that although more than twenty years had passed since Gordon’s first movie, he stayed true to his unique abilities as a filmmaker. Continue readingGiant Monstershow: The Food of the Gods”

Shitty Movie Sundays: The Shape of Things to Come

The Shape of Things to ComeA lot of filmmakers in the late 1970s wanted to get some of that sweet, sweet Star Wars money. That resulted in shitty cinema being overrun with Star Wars ripoffs — some much better than others. At the bottom of the scale is something like Cosmos: War of the Planets, while today’s film, The Shape of Things to Come, is about as compelling a ripoff as shitty cinema managed to produce.

From 1979, The Shape of Things to Come is a loose adaptation of the H.G. Wells novel of the same name. It’s the future. After Earth was devasted by The Robot Wars, mankind settled on the moon and elsewhere. A drug called Radic-Q2 is vital to humanity’s continued survival, but the supply comes from a single planet called Delta 3. After a cargo ship from Delta 3 crashes into the capital city on the moon, New Washington, it is revealed that Delta 3, and all Radic-Q2 production, has been seized by the evil Omus (Jack Palance). We know that Omus is evil, not just because he was responsible for slamming a spaceship into a populated city, or that afterwards he holds an entire civilization hostage, but because he wears a cape. Everyone in this movie wears super-shiny futuristic space clothes, but only Omus accessorizes with a cape. It’s purple, too. Continue readingShitty Movie Sundays: The Shape of Things to Come”

October Horrorshow: The War of the Worlds (1953)

The War of the WorldsMonsters, devil worshippers, demons, ghosts, sadomasochistic inter-dimensional travelers...it can get to be too much. It’s time for the Horrorshow to take a step back from all the gore and scary stuff and spend some time with some nice, wholesome alien invaders.

From 1953 and adapted from the famous HG Wells story, The War of the Worlds is not the first alien invasion flick, but it is prototypical. A mass surprise invasion by alien beings in possession of unstoppable destructive power threatens to overwhelm the world. The situation is dire, the entire world mere days or hours from being conquered. But, against the odds, and due to providence, luck, good old-fashioned American ingenuity, or a thorough lack of understanding of the laws of nature on the part of the aliens and the screenwriters, the invaders are vanquished. And I mean vanquished. No alien invaders ever just get beat, or end up slogging into insurgency warfare (with the notable exceptions of and Falling Skies, but that’s on TV). Aliens in these flicks get wiped out, in total, usually in a matter of minutes. The denouement in these films, The War of the Worlds included, can feel a bit rushed. But that doesn’t mean it doesn’t work. Continue readingOctober Horrorshow: The War of the Worlds (1953)”