Every single scene in The Shining, the classic horror film from Stanley Kubrick, is unsettling, sometimes deeply. From the opening montage, a series of beautiful helicopter shots of the Rockies, rendered menacing by the music of Wendy Carlos and Rachel Elkind, to the final slow zoom before the end credits, there’s not a single moment’s respite from the tension of this film. That makes The Shining somewhat unique in comparison to other horror films. There is no lighter side of the Torrance family’s lives that is upended by the goings on at the Overlook Hotel. They were doomed regardless. Continue reading “October Horrorshow: The Shining”