One of the best things about these SOV horror flicks (best being a relative term) is that since these movies were never intended for theatrical release, they weren’t subject to censorship imposed by the prudes at the MPAA. Supporters of the ratings system would maintain that ratings exist merely as a guide, and it is the filmmakers themselves that alter their films in pursuit of a favorable rating. That’s the rub, though, isn’t it? The MPAA’s ratings can mean life or death for a film in theaters, as theater owners have proven reluctant to showcase films with an NC-17 rating or no rating at all, and even R-rated films are regularly cut to lower ratings in pursuit of teenaged dollars. Quite frankly, how dare any organization like the MPAA tell a filmmaker what they can and can’t have in a movie, on threat of making it financially unviable? Anyway… Continue reading “It Came from the Camcorder: Splatter Farm”