Shitty Movie Sundays: The Beastmaster

The BeastmasterFilmmaker Don Coscarelli is known to horror fans as the man behind the Phantasm film series. While that series has spanned decades, all cinematic auteurs like to try new things on occasion. Sometimes, when they do, the result is shitty gold.

The Beastmaster, from 1982, is Coscarelli’s homage to the Italian sword-and-sandal flick, and also an opportunity to feed on the leavings, remora-style, of the Conan films. In fact, Coscarelli and producer Paul Pepperman took a book about a Navajo soldier who talks to genetically altered animals on an alien planet, and turned it into a Conan ripoff. There are no Native Americans and no alien planet in this flick. Instead, we get Marc Singer, in what would have been his defining role were it not for V, as Dar, a hunky tribesman who is the long-lost son of a deposed king. After Dar’s village is attacked by a horde and everyone is killed, Dar sets off on a journey, to somewhere a little vague, with something of an idea about what he’s going to do when he gets there. Focus isn’t really Dar’s strongest characteristic — wearing as little clothing as possible without being pornography is. Also, he can talk to animals. Continue readingShitty Movie Sundays: The Beastmaster”

October Horrorshow: The Shining

Every single scene in The Shining, the classic horror film from Stanley Kubrick, is unsettling, sometimes deeply. From the opening montage, a series of beautiful helicopter shots of the Rockies, rendered menacing by the music of Wendy Carlos and Rachel Elkind, to the final slow zoom before the end credits, there’s not a single moment’s respite from the tension of this film. That makes The Shining somewhat unique in comparison to other horror films. There is no lighter side of the Torrance family’s lives that is upended by the goings on at the Overlook Hotel. They were doomed regardless. Continue readingOctober Horrorshow: The Shining”

October Horrorshow: Terror Train

For about four years in the late 70s and early 80s, Jamie Lee Curtis had a hell of a run as a scream queen. During that time, she starred in four slasher flicks, and was part of an ensemble cast in another. Audiences in those days must have grown familiar with her piercing, oddly resonant, terrified wail. Whether she was fleeing a maniac in a William Shatner mask, evading the vengeful spirits of dead lepers, or, in today’s film, fighting off a costumed murderer aboard a moving train, her howling gusts are an integral part of the soundtrack. She was perfect for the roles she played. Always playing the survivor, she had youth, attractiveness, and innocence touched with enough sexuality to make her someone all the males in the audience would want to save. Only, she didn’t need it. For a time, there, she seemed to be the hardest person in Hollywood to kill. It’s a living, I guess. Continue readingOctober Horrorshow: Terror Train”