Shitty Movie Sundays: The Last Sentinel (2007)

Here’s some bottom of the barrel sci-fi, folks — slow-cooked to perfection and braised in poor CGI, limited locations, convoluted backstory, wooden performances, and lots of ridiculous gunfights.

From writer/director Jesse V. Johnson comes post-apocalyptic extravaganza The Last Sentinel. It’s the future! Who knows when? After crime and general nonconformity swept the United States, police officers were replaced with genetically engineered drone soldiers — living men stripped of reason and emotion, useful only as black-clad hammers in search of criminal nails. The drones eventually decided that taking over from the humans would be the best way forward, and destroyed most of human civilization. Continue readingShitty Movie Sundays: The Last Sentinel (2007)”

Shitty Movie Sundays: 2036 Origin Unknown

2036 Origin Unknown movie posterShitty movie fans are a tolerant bunch. We put up with bad scripts, bad direction, bad acting, and all-around incompetence, all in the search for the one shitty film out of a dozen that scratches our peculiar itch. For every Road House, there is a pile of films like Driven; for every Anaconda, a passel of Ghosts of War; and, for every expansive adventure like Spacehunter, there are an abundance of one-location bore-fests like 2036 Origin Unknown.

It’s the future! 2036! And space scientist Mack Wilson (Katee Sackhoff) is alone in a room talking to an AI called ARTI (voiced by Steven Cree). The two of them are mission control for a Mars rover expedition, sent to the red planet to find out what happened to a manned mission that crashed there some years earlier. The rover reaches the crash site and discovers a giant cube, origin unknown. Before they realize what is happening, the cube is gone, having teleported itself to Antarctica. What follows is some nonsensical claptrap, inane conversation between Mack and ARTI, and an ending that is supposed to make one think, I think. Continue readingShitty Movie Sundays: 2036 Origin Unknown”

October Horrorshow: Halloween: Resurrection

I don’t know what I’m going to do. This is the eighth year that I’ve done the October Horrorshow, and at the end of every year, on Halloween, I’ve reviewed one of the Halloween movies. But, with Halloween: Resurrection, I’ve run out. This is it — the last of the movies from the original franchise. I already reviewed the Rob Zombie remakes before the Horrorshow existed, so those are out, as well. There is a new flick in the works, but apparently it’s stuck in development hell and won’t be in the can before next year’s Horrorshow. Oh, man. My hands are shaking and my heart is beating fast. This feels exactly like when I graduated college and the rest of my life was staring me in the face. I can see far but there’s nothing but blackness at the end. I’m…lost. Continue readingOctober Horrorshow: Halloween: Resurrection”

Shitty Movie Sundays: Riddick

RiddickI was really hoping this movie would have been appropriate for the October Horrorshow. Alas, it was not. Sure, there is some exotic, overly aggressive wildlife to be found, and they do devour a good amount of the cast, but this movie is more a straight action flick than anything else. Too bad. I was looking forward to featuring this review right after Pitch Black. Well, at least it’s shitty!

Riddick, of course, is the second sequel to Pitch Black, featuring the eponymous character played by Vin Diesel. In this flick, Riddick has abandoned the burdens of galactic leadership and returned to his animal nature, a sly acknowledgment by writer/director David Twohy that the second movie in the series, The Chronicles of Riddick, was a stupidly overwrought idea that never should have been put to film. Riddick isn’t a fucking politician. He’s a badass. No one wants to see him speechifying or fending off the knives of palace assassins. The world, this world, needs Riddick to get in gunfights with mercenaries and fight creatures with big pointy teeth. Message received. Continue readingShitty Movie Sundays: Riddick”

October Horrorshow: The Haunting in Connecticut 2: Ghosts of Georgia

The Haunting in Connecticut 2: Ghosts of GeorgiaIf someone were to guess where this movie takes place, there’d be a fifty-fifty chance they’d get it right. Is it Connecticut or Georgia? Well, let’s analyze. The film is called The Haunting in Connecticut 2, subtitled Ghosts of Georgia. Going in, knowing nothing about the film, I inferred that it takes place in Connecticut, but the characters, or possibly whatever ghosts are causing the haunting, have roots in Georgia. Maybe there’s a plot that has something to do with the Civil War or the Underground Railroad. Not exactly original, but logical.

But another, cynical way of thinking is that the film takes place in Georgia, and has absolutely nothing to do with Connecticut; that this sequel is attempting to cash in on a brand. The original Haunting in Connecticut wasn’t a blockbuster, but it was profitable. And Hollywood loves profit. Lionsgate had this successful property on their hands, and they were looking to squeeze it dry. Rather than put any time and effort into a serious sequel, they chose to slap the Haunting in Connecticut title on some low-rent production they had set to run, in the hopes of making some cash. Continue readingOctober Horrorshow: The Haunting in Connecticut 2: Ghosts of Georgia”