Marion Costly – Missile Test

Hellspawn VHS box The Polonia Brothers are at it again. After sitting on a shelf for the better part of a decade, 2003 saw the DVD release of Hellspawn, one of the brothers’ more stylistically classic movies.

Hellspawn has the feel of an homage to horror films from the 1950s and ’60s. It has lingering, atmospheric shots that evoke English gothic horror and Hitchcock’s Psycho, and a soundtrack reminiscent of Night of the Living Dead. Hellspawn is clearly a movie the Polonias put a little more time and care into than something like Feeders. And yet most of it still feels mailed in.

What hurts this movie the most, and might be the reason behind its delayed release, is the sound quality. The brothers shot this movie on video, as was their wont, and it sounds like they used the built-in mic on whatever camcorder they were shooting with. The result is entire scenes with muddled or unintelligible dialogue. Without fail these issues with the sound happen during scenes with much-needed exposition. That places an undue burden on the rest of the movie. Where the brothers succeed in homage-ing, they don’t keep pace in scares or effects. For a movie with an 86-minute running time, long for the Polonias, that makes watching a slog, despite flashes of vintage Polonia. Continue reading “October Horrorshow: Hellspawn”

One of the best things about these SOV horror flicks (best being a relative term) is that since these movies were never intended for theatrical release, they weren’t subject to censorship imposed by the prudes at the MPAA. Supporters of the ratings system would maintain that ratings exist merely as a guide, and it is the filmmakers themselves that alter their films in pursuit of a favorable rating. That’s the rub, though, isn’t it? The MPAA’s ratings can mean life or death for a film in theaters, as theater owners have proven reluctant to showcase films with an NC-17 rating or no rating at all, and even R-rated films are regularly cut to lower ratings in pursuit of teenaged dollars. Quite frankly, how dare any organization like the MPAA tell a filmmaker what they can and can’t have in a movie, on threat of making it financially unviable? Anyway… Continue reading “It Came from the Camcorder: Splatter Farm”