Whistle, the 2025 horror film from writer Owen Egerton and director Corin Hardy, is something of a throwback. The conceit of a cursed object whose use brings unexpected, and sometimes ironic, death was a more common theme in horror of decades past. Paired with a cast of teenagers, films like this have been a rich breeding ground of explorations into coming of age and the sudden salience of one’s mortality. There’s a reason most of these films have young protagonists. Done correctly, these flicks give the young’uns serious chills. Done even more correctly, there is plenty of bloody mayhem for the gorehounds among us. Continue reading “Whistle”
Some of Those Responsible: Nick Emerson
The Hallow
The woods can be a scary place for some people. The strange noises, the closeness, the environment being the antithesis of cities or suburbia — being in the woods can be weird. Maybe that’s what makes the woods a great setting for horror films. That, or the woods is just a convenient setting when budget dictates plot and cast have to be small. Either way, the forest primeval is an oft-used setting in the horror genre, in both good and bad films. Continue reading “The Hallow”