Norman J Warren – Missile Test

A common theme one will find on the internet about Inseminoid is that it rips off Alien. Sure, it does. Lots of movies have. And Alien ripped off It! The Terror from Beyond Space. That shouldn’t stop one from considering the film on its own merits. It succeeds and fails all on its own, with no credit or responsibility laid at the feet of Ridley Scott or Dan O’Bannon. The similarities to Alien are many, but with a budget of £1 million versus Alien’s $11 million, there were going to be some cuts made.

Inseminoid was directed by Norman J. Warren, from a script by Nick and Gloria Maley. On a far away planet, scientists studying ruins of an alien civilization are attacked by a monster. One of them, Sandy (Judy Geeson), is inseminated by the alien, and will soon give birth to twin monstrosities. In this, Inseminoid tracks closest to Alien. The much lower budget meant that much of the atmosphere that defined Alien was not possible in this flick. The budget also affected the alien costume, which is very subpar. Warren and company made the right decision to not feature the monster that much. As a result, most of the terrorizing in this flick is done by Sandy and not the monster. Continue reading “October Horrorshow: Inseminoid, aka Horrorplanet”

Sometimes when watching a film, a viewer can tell that the whole project barely held together. We viewers tend to hold that film is an artistic struggle carried out by a single individual. The director has a vision and a story they want to share. This is called the auteur theory of film, and is the main reason we heap praise on directors, at the expense of everyone else involved in a production. Less acknowledged is the reality that film is a business. As anyone who ever worked in an office can tell you, folks are just hanging on by their fingernails, hoping against hope that no one notices how much of the job is just faking it until it gets done. Here is director Norman J. Warren on his 1978 film, Terror:

[A] search for a story [in Terror] is in vain…There is no real storyline and very little, if any, logic. We had the money for a low-budget film, but no script and no idea of what film we wanted to make…we made a list of all the scenes we’d like to see in a horror film. We handed the list to writer David McGillivray, who incorporated the ideas into a ‘sort of story.’

That’s an excellent description of this film. There is a plot, involving an ancient curse set upon the Garrick family by a witch, but the plot is just a means to get from one death scene to another. It’s those scenes, fleshed out and very atmospheric, where this film truly lives. Continue reading “October Horrorshow: Terror (1978)”