Shitty Movie Sundays: Ghost Rider

Half-baked idea: A remake of Apocalypse Now with Nicolas Cage starring in four of the most prominent roles. De-aged, he plays Captain Willard, dancing and twirling, drunk on expensive cognac in Saigon while waiting for a mission and hurting himself. As in the original, it would be an improvisational tour de force, perhaps ending in something more outrageous than a shattered mirror and a bloody hand. Either way, he’d be naked.

Later, Cage appears as Colonel Kilgore. “I love the smell of napalm in the morning. BOOYAH!! Let’s do this!” Then he hops onto a surfboard and paddles out into the glorious six-foot swirls, mortar and artillery shells fountaining the sea around him.

At Kurtz’s compound, a long-haired, bedraggled Cage comes out from behind the menacing gathering of Montagnard fighters, cameras hanging from his chest, guiding Willard and company in to dock, haranguing them with tales of Colonel Kurtz’s god-like prowess.

Finally, of course, is Cage as the crazy Kurtz himself, a study in pre-explosive tension, conflating poetry and dime-store philosophy in a hopeless attempt to reconcile his conscience with the things he has done. Continue readingShitty Movie Sundays: Ghost Rider”

Shitty Movie Sundays: Escape from L.A.

From IMDb’s trivia page on Escape from L.A.: Escape from LA [sic] was caught in development hell for over ten years. A script for the film was first commissioned in 1985 but John Carpenter thought it “too light, too campy.”

Too campy? Why? Were The Riddler and Two-Face in the original draft? I find it hard to believe that Carpenter rejected a script for this film because it was campy. This movie lives on camp. It’s not light, though. I’ll give Carpenter that. Escape from L.A. is a violent flick. A bit cartoonish, maybe, but that many bullets can’t be fired in a movie and still be considered light. Continue readingShitty Movie Sundays: Escape from L.A.”