If you, dear reader, are convinced that you’re watching something familiar during Urban Warriors, then congratulations. You are a connoisseur of 1980s Italian Mad Max ripoffs. Only someone with knowledge of this strange subgenre of film would recognize that Urban Warriors, the last film from director Giuseppe Vari, shares much footage with The Final Executioner, released three years earlier in 1984. This flick isn’t the only movie to recycle substantial amounts of footage from The Final Executioner. A couple of years later The Bronx Executioner did the same thing, only in a way that destroyed just about all narrative consistency. Urban Warriors has a plot that one can follow.
Brad, Maury, and Stan (Bruno Bilotta, Bjorn Hammer, and Maurice Poli) are doing computer technician stuff in an underground bunker. Right in the middle of the workday, World War 3 breaks out, spreading nuclear apocalypse over the entire world. The power in the bunker is knocked out, so the trio has to make their way to the surface. It takes them days to find a way out, and when they do reach the surface, Vari shows us the ravages of atomic warfare — a rocky yet pristine hillside, and a small office complex whose glass sides gleam in the sunlight. It’s about as low effort as one will ever see in a post-apocalyptic movie. Continue reading “Urban Warriors, or, The Worst Day at Work Ever”
What a gloriously shitty movie. Burial Ground, also released under a number of different titles, is an Italian horror gore-fest from 1981. Director Andrea Bianchi crafted a flick that ticks off just about all the boxes when it comes to shitty Italian cinema. The film stock is cheap, the dubbing sucks, there are numerous overlong shots used to mask a distinct lack of plot, et cetera. It really is a wonderful example of bad cinema of the era, taking its place alongside anything from Shitty Movie Sundays favorite Enzo G. Castellari. But, it also has the added benefit of being somewhat watchable.