There isn’t a successful Italian film director from the 20th century that doesn’t have at least one Hollywood ripoff in their filmography. It was practically de rigueur over there. But, no filmmaker did it with quite the shamelessness of Bruno Mattei, and none of his movies approached the level of outright thievery seen in Terminator II.
Trademark law is obviously looser in Italy. Over there, production companies can market and release a movie as a sequel to an unrelated production. This movie is not a sequel to The Terminator, James Cameron’s blockbuster from 1984. But it was marketed as such, down to a poster that evokes Arnold Scwarzenegger’s menacing, uncanny cyborg face. Everyone involved, including producer Franco Gaudenzi, knew how disingenuous it all was, because this flick wasn’t released in the United States until 2018, and then under the title Shocking Dark. Continue reading “Shitty Movie Sundays: Terminator II, aka Shocking Dark”

Short of watching a mockbuster from The Asylum or its ilk, one would be hard-pressed to find a film that is more of a ripoff of a big time Hollywood production than Robowar, from Italian auteur Bruno Mattei. The victim in this case is Predator. From characters, to plot, to location, to certain scenes, all the way down to individual lines of dialogue, Mattei squeezed everything he could out of Predator short of being sued into oblivion. The only major change was substituting a rogue bionic soldier for the alien hunter