Stallone Month: Rambo III

In the review for Rambo: First Blood Part II, I lamented that the film marked the end of a budding First Blood franchise, and the start of the Rambo franchise. Indeed, demoting, and then finally excising, the First Blood string from the title is as much a sign of the creative direction in these films as it was a marketing decision to promote the character of John Rambo, and the man who played him. Continue readingStallone Month: Rambo III”

Stallone Month: Rambo: First Blood Part II

What a gloriously stupid movie. First Blood, the 1982 film about a disturbed Vietnam vet taking on a county sheriff with a bloated sense of self-importance, was a surprisingly impressive film. It was gritty and low-rent, despite having a big star in the lead. It was an action film that had real world reasons for the action. It was ridiculous and believable at the same time. But today’s film is just a blood and guts cartoon. Continue readingStallone Month: Rambo: First Blood Part II”

Stallone Month: First Blood

It’s a trying time in American politics, what with the White House having fallen under the control of the Orange Menace. But, even though this Trump situation is beyond all bounds, political tension is nothing new in the United States. Without it, a film like First Blood wouldn’t exist. That’s right. The progenitor of the Rambo film franchise, films that became icons of the mad, excess-filled action film style of the 1980s, was as much a political film as it was an action film. Continue readingStallone Month: First Blood”

October Horrorshow: Leviathan

(Note: I wrote this way back in May, then decided that, rather than post this immediately, it would fit in better with the October Horrorshow. Hence the slightly dated references in the opening paragraph.)

From 1989, Leviathan is George P. Cosmatos’s follow-up to the classic Sylvester Stallone shitfest that was Cobra. And Leviathan isn’t any better. Little more than a mashup of Alien and John Carpenter’s Thing, Leviathan is a stroll down recognizable and well-worn plot paths, comfortable in its familiarity, like an old pair of shoes or the quilt that your grandmother made when you were a child. A more crass reviewer could say Leviathan is a blatant rip-off of much better films, and they would be correct. But I choose to view Leviathan in a more forgiving light, especially since, these days, Hollywood is determined to cram sequels, adaptations, reboots, and remakes down the throats of the all-too-willing public. This week, I could have chosen to see The Avengers or even Battleship at the theaters. Instead, I decided to stay local with my garbage, and rent a fine example of shitty monster movie cinema to view in my own home. Continue readingOctober Horrorshow: Leviathan”