Shitty Movie Sundays: Slipstream

Slipstream, the 1989 movie from producer Gary Kurtz, is a rare film. It must be, since this is one of the few times I mention the producer of a film before I mention a director, screenwriter, or star. So, why the top billing for Mr. Kurtz?

It’s because this movie ruined him as a big time Hollywood producer. Kurtz produced Star Wars and The Empire Strikes Back. He produced two of the most important films in blockbuster history, having an effect on studio films that still reverberates to this day. Then, creative conflicts with George Lucas led to a split, and Kurtz went his own way. Continue readingShitty Movie Sundays: Slipstream”

The Empty Balcony: Mona Lisa

Mona Lisa isn’t a typical British gangster film. Many of the hallmarks are there, to be sure. Gritty London scenery, almost impenetrable accents, and Michael Caine and Bob Hoskins. But many of the things a viewer expects from the plot of a British gangster film are absent. There’s no big heist being planned. There’s no grisly murder to revolve the story around. There’s violence at times, but it isn’t the gratuitous kind. It doesn’t rule the film. When it comes, it’s a necessary outcome of the story. Mona Lisa tells a story wrapped within a recognizable genre, but it uses that genre as a tool to tell the tale of a complex personal relationship. Continue readingThe Empty Balcony: Mona Lisa”