The 1980s remain my favorite decade for horror flicks. In general, that decade had a much lighter take on the genre than the 1970s, despite all the splatter. In the ’70s, the aim of horror auteurs was to disturb, or to inspire dread. Take the career of Wes Craven, for example. His two most provocative films of the ’70s were The Last House on the Left and The Hills Have Eyes. Both use rape as a plot device, and both rely far more on dread than fear. Then, in the ’80s, Craven launched the Nightmare on Elm Street franchise, which embraced a fun house atmosphere, embodied in antagonist Freddy Krueger. And I do mean fun house. Freddy, with his razor glove, the facial scarring, and the exaggerated sweater and hat, is a horror movie clown. Jason Voorhees, over in the Friday the 13th franchise, is a horror movie clown. Chucky, from Child’s Play, is a horror movie clown. Et cetera, et cetera. The ’80s were awash in blood, but the tone is far different than what came before. Continue reading “October Horrorshow: 976-EVIL”
Some of Those Responsible: Stephen Geoffreys
October Horrorshow: Fright Night
 I have fond memories of this flick. I remember first discovering it with my father in the mid-80s. I’ve written about this before, but I got my love of shitty horror flicks from the old man. We thought we had discovered a real winner with Fright Night. We were expecting something cheesy and low budget. I mean, there was no way this could turn out to be a good movie, right? It stars Roddy MacDowall, for crying out loud. But, Fright Night exceeded both of our expectations. It’s a damn good horror flick, and since it’s now about thirty years old, I think it’s safe to call it a classic.
I have fond memories of this flick. I remember first discovering it with my father in the mid-80s. I’ve written about this before, but I got my love of shitty horror flicks from the old man. We thought we had discovered a real winner with Fright Night. We were expecting something cheesy and low budget. I mean, there was no way this could turn out to be a good movie, right? It stars Roddy MacDowall, for crying out loud. But, Fright Night exceeded both of our expectations. It’s a damn good horror flick, and since it’s now about thirty years old, I think it’s safe to call it a classic.
Written and directed by Tom Holland, Fright Night is both a vampire flick, and an homage to vampire flicks. It features William Ragsdale as Charlie, a high school student in suburban California who believes a vampire and his servant have moved into the vacant house next door. It seems like Charlie is just letting his imagination run wild. After all, Charlie is a lover of vampire films. He never misses a late night broadcast of vampire flicks on a local TV station, hosted by b-movie screen legend Peter Vincent (MacDowall). MacDowall’s character is great. His character is named after, and based loosely on, classic horror film performers Peter Cushing and Vincent Price. In his acting days, Peter Vincent was a Hammer Films-style vampire hunter, with all the Victorian trappings. It’s a shame his career has led to him hosting late-night movies, but once upon a time, it was showcases like these that introduced young viewers to the wonder that is horror cinema. Continue reading “October Horrorshow: Fright Night”
