Empty Balcony: Valkyrie

Sometimes big time actors put on their serious pants and play a Nazi-era German protagonist. I don’t know if ego or decades spent in a celebrity bubble deprive these actors of common sense, but these movies occasionally get made, and there’s always an A-lister out there willing to play one of the 20th century’s most notorious bad guys. In Valkyrie, the 2008 film directed by Bryan Singer, that A-lister was Tom Cruise.

Going over Cruise’s public persona is a waste of time, but I do remember hearing about this film back in the year it was released, and thinking Cruise must be delusional about the amount of leeway movie audiences are willing to give him. There is only one man in Hollywood who can play a good World War II German, and that man is Liam Neeson. With any other actor and any other character other than Oskar Schindler, a film is walking a fine line. To stumble means embarrassment, at best, and career-threatening ostracization, at worst. With a degree of difficulty that high, who in their right mind would choose to star in a film such as Valkyrie? King Mapother, that’s who. Continue readingEmpty Balcony: Valkyrie”

Empty Balcony: The Titan

Movies that premiere on Netflix have been banned from competition at the Cannes Film Festival. In an action that is part snobbishness and part an effort to protect theater owners, Cannes has drawn a line in the sand. To them, if a new movie is available to stream on television or other device, then it’s not really a movie. That’s absurd. Theater owners have cause to be worried that their business model might be obsolete, because it is. The best thing theaters have going for them is getting first run movies. Netflix is at the forefront of destroying that partial monopoly, and with home media having better picture and sound than ever before, watching a film at home is no longer a subpar experience compared to watching it in a theater. Continue readingEmpty Balcony: The Titan”