A viewer would hard-pressed to find a more beautifully shot, atmospheric horror film than Dario Argento’s Suspiria. Argento’s, and cinematographer Luciano Tovoli’s, vivid production has become legend among horror fans, and for good reason. The film exists within a reality all its own, shifting back and forth between dreamlike and nightmarish, soft and menacing, as the situation requires. No study of horror films, and film in general, is complete without seeing this classic.
From 1977, Suspiria stars Jessica Harper as Suzy Bannion, a dance student who has been invited to study at the prestigious Tanz Dance Academy in Freiburg, Germany. Strange happenings begin immediately upon Suzy’s arrival at the academy (played on the exterior by a real location called The Whale House). She is greeted by a student who is fleeing into the night, and is herself turned away at the door, despite a driving, soaking rain.
Argento didn’t waste any time, packing this first sequence with some of the atmosphere that would come to define the movie. The Whale House is a gaudily painted relic, and the onscreen action is accompanied by an iconic soundtrack by an Italian band called Goblin. Goblin’s music is Mike Oldfield-esque, in that it’s evocative of the opening notes of Tubular Bells, which was used to effect in The Exorcist. Argento liked Goblin’s work for the film so much that he overuses it, pounding the same hook over and over again into the audience’s brains. Continue reading “October Horrorshow: Suspiria”