1965 in Film – Missile Test

October Horrorshow: Bloody Pit of Horror, aka Il boia scarlatto

Bloody Pit of Horror movie poster What a wonderful pile of cheese. And what a wonderful title. Bloody Pit of Horror. It just rolls off the tongue. Of course, there have been countless bad horror flicks with great titles. What makes this less disappointing than so many others is a certain lightheartedness — a feeling that one is watching a funhouse flick. At no point is any of this film meant to be taken seriously. It’s not a black comedy, but neither is it a downer. Rather, it’s as if everyone’s favorite gang of youths in the neighborhood got together to make a backyard play for all the parents to see, maybe to raise some money for Billy’s operation. Aw, gee whiz, it sure is neat. It’s also Italian, which means it is shameless schlock.

From way back in 1965, Bloody Pit of Horror stars legendary sword-and-sandal actor Mickey Hargitay as Travis Anderson, a former sword-and-sandal actor who has taken up residence in an abandoned castle and surrounded himself with some of the Joker’s henchmen. Continue reading “October Horrorshow: Bloody Pit of Horror, aka Il boia scarlatto”

Shitty Movie Sundays: Indian Paint, or, Oh Jeez, This Flick is Racist, Isn’t It?

It sure is. As always, I maintain it is pointless to try and impose today’s morals on the past. That doesn’t mean we can’t learn from them and become better people…by pointing and laughing at those freaking idiots.

From 1965, Indian Paint is the rare western flick that takes place in the days before the arrival of Europeans. There isn’t a single Caucasian character in the film. What there are, though, are a bunch of white people slathered in makeup so red it looks like they were rolled around in the mud in Utah. Even the actual Native Americans in the cast, of which there were two, by my count, were covered in it. This flick represents the type of deep, ingrained, and completely clueless racism which used to be okay not just in the film industry, but in society at large. It’s a useful reminder that progress has been made, despite the re-emerging bravado of white nationalism. Continue reading “Shitty Movie Sundays: Indian Paint, or, Oh Jeez, This Flick is Racist, Isn’t It?”

October Horrorshow: Terror-Creatures from the Grave, aka 5 tombe per un medium

Pacemaker Pictures, the English-language distributors of Terror-Creatures from the Grave, the 1965 Italian gothic horror flick, sure went all in on the title. Perhaps they had a shortlist and couldn’t decide between Terror from the Grave and Creatures from the Grave so, like some parents, decided to burden their charge with a hyphenated name. It’s a mouthful, but has loads of kitsch to it.

Directed by Massimo Pupillo, from a screenplay by Romano Migliorini and Roberto Natale, Terror-Creatures is plays like a pageant in honor of horror cinema. Shot in stark black and white by Carlo Di Palma, the film relies heavily on early horror film styles and storytelling, while combining it with contemporary trends in Italian cinema. There’s the dark and stormy night, overlayered with endless theremin music, combined with dramatic closeups and the multinational cast mouthing their lines in different languages. It’s like watching an old Universal horror film, and everyone is poorly dubbed. Unfortunately, that dubbing can be somewhat distracting, but Pupillo and company nevertheless made a decent horror film. Continue reading “October Horrorshow: Terror-Creatures from the Grave, aka 5 tombe per un medium”

Empty Balcony: The 10th Victim, aka La decima vittima

The swinging ’60s have come to Missile Test, in the form of Italian/French production The 10^th Victim. An absurdist bit of film whimsy from Italian director Elio Petri, The 10^th Victim is notable for providing much of the inspiration for Mike Myers’s character Austin Powers. Indeed, one of the great gags in the first Austin Powers film, a bikini top that shoots bullets, was lifted from this film. Continue reading “Empty Balcony: The 10th Victim, aka La decima vittima”