Tag: 1976 in Film

October Horrorshow: Squirm

Squirm is an appropriate title for the 1976 horror flick from writer/director Jeff Lieberman. This is the type of horror flick intended to make a viewer’s skin crawl. In that, Lieberman and company succeeded beyond any expectations. After all, this isn’t some mid-budget horror meant for mass theatrical release. This is a low-budget horror flick made for drive-ins and grindhouses. What I mean is, how in the world could the production afford to purchase millions of worms?

That’s right. Worms. The ugliest, slimiest, biggest, fanged (yes, FANGED), worms from the soil of these great United States. All shipped to Port Wentworth, Georgia, for use in a disgusting movie shoot. I fucking love horror flicks. Continue reading “October Horrorshow: Squirm”

Shitty Movie Sundays: Devil’s Express, aka Subway to Hell, aka Gang Wars

What a strange movie. Usually, when a film tries to be too many genres at once, the result is a jumbled mess that takes too many shortcuts, and is difficult to follow. That’s a good description of Devil’s Express (released under a number of other titles), the 1976 blaxploitation/martial arts/street gang/monster flick from director Barry Rosen, and screenwriters Rosen and Niki Patton. But, we like jumbled messes here at Shitty Movie Sundays. The closer a film comes to flying apart at the seams, the better. Continue reading “Shitty Movie Sundays: Devil’s Express, aka Subway to Hell, aka Gang Wars”

Giant Monstershow: King Kong (1976)

The 1976 remake of King Kong might be peak Dino De Laurentiis. The legendary Italian producer’s films whipsaw back and forth between the grandiose, the absurd, the exploitative, and the just plain shitty. King Kong is a prime example.

Clocking in at an interminable 134 minutes, this King Kong is meant to be an epic retelling of a cinema classic. Everything about this film, directed by John Guillermin, seems meant to showcase how film has improved and grown in the forty years since the original film was released. The original King Kong was severely limited by what was possible at the time, yes, but it never felt like a failing. Nor is this film an indictment of what came before. But this film does live and die on an implied promise that it will be a better technical film than that which came before. Other than making money, there really isn’t much more reason for this film to exist. Continue reading “Giant Monstershow: King Kong (1976)”

Giant Monstershow: The Food of the Gods

This is an important day for the October Horrorshow Giant Monstershow. The featured auteur of this month of reviews has returned. For the seventh time this month, a review features a film by Bert I. Gordon. Yes, a filmmaker that showed mastery at failing to master the art of filmmaking is back. Today’s film, from 1976, also shows that although more than twenty years had passed since Gordon’s first movie, he stayed true to his unique abilities as a filmmaker. Continue reading “Giant Monstershow: The Food of the Gods”

October Horrorshow: God Told Me To

God Told Me To movie posterDetective Peter Nicholas (Tony Lo Bianco) of the NYPD has himself a bear of a case. Massacres have been happening all over the city, all carried out by different people, and all at random. There’s only one thing each of these awful events has in common: each of the perpetrators has said that God told them to do it. How is he supposed to stop that?

God Told Me To comes to us via writer, director, and producer Larry Cohen. This isn’t Cohen’s first appearance in the Horrorshow, having helmed the execrable film The Stuff . Whereas that film felt rushed, this earlier effort, from 1976, feels much more meticulous.

As much cop flick as horror, the film follows Detective Nicholas as he tries to find the common thread, other than the bizarre pronouncements from the perpetrators, that connects such disparate killings. It turns out that these killers aren’t suffering from some hallucination. There really is someone telling them to kill. Why they become so convinced that this person is God is one of the mysteries that Nicholas must solve. Continue reading “October Horrorshow: God Told Me To”

Shitty Movie Sundays: Death Machines

This shitty movie is so obscure that, as of this posting, it doesn’t have a Wikipedia page. That’s hard to believe. Usually if something exists, and more than a few dozen people know about it, it has a Wikipedia page. Far worse movies than this have Wikipedia pages. Far less hilarious shitty movies than this have Wikipedia pages. One of those free laborers they have slaving away over there should address this grievous oversight. Continue reading “Shitty Movie Sundays: Death Machines”

October Horrorshow: Eaten Alive (1976), or, Avant-Garde Horror à la Texas

Tobe Hooper established his bona fides, and his place in film history, with his 1974 film, The Texas Chainsaw Massacre. That film is such an icon of the genre that sequels and remakes are sometimes produced concurrently. People just can’t seem to get enough Leatherface. But, Hooper did find time to take part in other projects. Continue reading “October Horrorshow: Eaten Alive (1976), or, Avant-Garde Horror à la Texas”

Stallone Month: Rocky

For no other reason than that I feel like it, I hereby declare this to be Sylvester Stallone Month here at Missile Test. For the next 31 days, this site will feature reviews of Sylvester Stallone films, from the early days of his career into the 2010s. I did this a few years back with Arnold Schwarzenegger because, not only do I like his films, I found myself fascinated with the progression of his career. I have a similar regard for Sly. Taken at face value, he’s just another action film star from the 1980s. But pay attention to the credits in his films, and one will find that he wrote and directed many of the films in which he appears. Sylvester Stallone is a filmmaker, and one who has been very successful in plotting his own course through Hollywood. Continue reading “Stallone Month: Rocky”

October Horrorshow: Carrie

How times have changed. Within two minutes of Brian De Palma’s Carrie, an adaptation of Stephen King’s first novel, there’s a scene in a girls’ high school locker room after gym class with no less than half a dozen full frontal nude shots. High school girls (all played by adults) are bouncing around and giggling after showering, showing off their gloriously naked bodies. I can’t imagine there would ever be a film made today that featured nude teenagers so prominently, much less with such sappy eloquence and, yes, sexuality. It’s not long before the camera pans and settles on the film’s main character, Carrie White (Sissy Spacek), as she showers and caresses her body, culminating in a horrific display of bullying after the onset of her first menstrual cycle. That’s how viewers are introduced to the confused, introverted, oppressed, overgrown adolescent of the title: as she is brutalized by her peers. Continue reading “October Horrorshow: Carrie”